“When one person is chosen everyone is chosen. Each life is random and must be taken as a whole, thus illuminating life from all directions, thus there can be no darkness.”
Montaigne pulls out an alien. He knows his life is over.
He pulls out the alien from the hole in the ground and they both lay panting on the grass. Montaigne panting for the both of them, Montaigne panting for the world. He is disappointed. He trails the fleshy-pad of his fingertip along the surface of the alien, so brave already, waiting for the nick. It never happens. The alien is smooth and rectangular, not opal but quartz, with mirror flecks. He has seen counter-tops like it, he is awed.
Augustine is the next to arrive. Montaigne and Augustine do not know each other, or if they know each other they have never mentioned each other. Augustine is penetrated by his own seeing of the alien and loses his appetite immediately. He takes his position some five feet away and begins to speak at an even tone. His English is plain and intermediate. The feeling he arouses in the alien is a kind of compromised purity.
Stepping back for a moment to fix the viewpoint on—a squirrel, who adventures to the farthest end of a branch and paws at its own head, then lays flat on its stomach beneath the sun, then, maybe a fluff floats past.
No one is interested in the squirrel because that would be too easy.
The alien asks to be held. Montaigne replies, I am already holding you. Augustine stops speaking. The alien wants to know where the baseball game is. You have it all wrong, Montaigne continues, looking to Augustine for the first time. They notice blood in each other’s left eye, but for some reason neither man informs the other of this symptom. Perhaps there is no point. There are no doctors around and there are no tissues.
Augustine makes a lunge for the alien. I am only thinking of her, he says. Montaigne has no interest in fighting and gives up the alien at once. Look at yourself, Montaigne says. His sound is modest and ironical. You are dull and round, he says to Augustine, who is dull and round next to the alien. My only daughter is sick, Augustine says. You can save her, you can do something, can you not? Montaigne hears this and changes his mind. He grabs at the alien, causing it to slip from Augustine’s arms. You are not thinking, he whispers to Augustine. Their eyes are quickly filling with blood.
The two men glance around. They miss the resting squirrel entirely, but so does time, and so the earth. There is no net for the squirrel. There is no language for its history. They look down at the alien who is writhing in the grass.
Am I wrong?
Am I right?
It is no longer clear who is saying what.
The encounter is anticlimactic for everyone, and together the two men return the alien back to its hole. Go back to where you came from, they say in unison. The alien whimpers and makes suckling noises, a long tentacle lashes out and seizes Montaigne’s neck. GO BACK, Augustine says, and the alien asks, where? Where?
There is only here, there is only this, there is only me, there is only you.
The three fall to the ground. An hour has passed.
I can see my blood, Montaigne says.
Yes, says the alien.
I can see my blood, Augustine says.
It is the same blood as your daughter’s, says the alien.
Augustine stands up, then Montaigne follows. They walk off together, keeping a safe distance between each other, like strangers. Awaking from its nap the squirrel falls and lands on the alien, and begins to eat.
Lily Wang is the author of the poetry chapbooks Everyone In Your Dream Is You (Anstruther Press, 2018) and Oh(!) (Dancing Girl Press, 2019). She is the founder of Half a Grapefruit Magazine and you can read more of her work in Peach Mag and Cosmonauts Avenue.