In the Other World, They’ll Receive Mitzvahs by Daniel Lurie

I’ll commission a dollhouse door
just below my collarbone, with a toothpick
for a handle. Inside, there’s a brand-new
laundry line, where I pin their worn clothes:
the mother’s denim, the daughter’s opal shirt
with mustard stains and daisies, the father’s ratty
briefs. I set the dinner table in my palm.
It only takes a moment. I could close my fingers
to protect them from blue jays. I could close
my fist to end it all. The father crawls into my ear
so I can hear him better. From the lobe, he dangles
a pickax fashioned from the melted-down gun
metal and bullet casings he used to keep
in the basement safes. I want to wield it
to shatter the links clamped around the mother
and daughter’s wrists. They’d dance on my index
finger, rubbing at their irritated skin. Here
is where the real work would start. More doors
needed, coaxed from the raised flesh of my kneecaps.
One opening into grocery store aisles full of other lives,
without price tags. The other holding a dark
room a man’s voice has never touched.

DANIEL LURIE is a Jewish, rural writer from eastern Montana. He holds an MFA in Poetry from the University of Idaho. Daniel is co-editor of Outskirts Literary Journal and a Poetry Reader for Chestnut Review. His work has appeared or is forthcoming in swamp pink, Poetry Northwest, Gulf Coast, Pleiades, and others. He recently won the 2026 Mississippi Review Prize, was awarded the Ronald Wallace Poetry Fellowship from UW-Madison, and will serve as a Wallace Stegner Fellow at Stanford in 2026-2028. Find him at danielluriepoetry.com

Feed by Debbie Urbanski

Bird cam: a pair of hatchlings squat inside the twiggy nest while the mother hawk perches on top of a metal rail, fanning her tail feathers beside the spring green
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Somebody’s trip to Bali
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A turtle begins to cross the road with intention then somebody picks the turtle up and carries the turtle across the road then this person stands at the guardrail, holding the turtle in both hands before they reach out over the water
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So what is the tipping point when what might be adorable in singular becomes worrisome or even menacing when it arrives in multitudes? Essentially when does a group become a swarm
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Nobody is using the word monsters, that would be ridiculous
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A woman beside a turtle positions her fingertips on the turtle’s shell
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Take a deep breath
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A map of the country. Arrows point westward and northward. Red circles = services are down (unconfirmed). Yellow circles = barricades are up (unconfirmed). Orange circles = sightings (unconfirmed). Orange triangles = levitation (unconfirmed). Orange squares = destroyed (unconfirmed) 
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The perfect everyday work bag. Four colors. Shop
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14 years ago, a sitcom in Syracuse premiered
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Recommended reading: War of the Worlds, Ways of Seeing, Frankenstein, Regarding the Pain of Others, Annals of the Former World, The Voyage of the Beagle, Black Hole Survival
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How do we turn dialogue
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What a difficult thing for which to provide commentary, as we are not appearing to have the same experiences during such “effluences.” In the present footage, for instance, I see a plume of green extending from the horizon line like a cloud but a cloud that scrapes across the ground so slowly and with such great intent, though once that green solidifies, then — well in the comments, tell me
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A turtle beside a woman positions its fingertips on the woman’s shell
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The question, really — is a broken reality fixable? Or does a break lead to a new and different reality or realities, in which case
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Monkeys in trees, monkeys on the ground, monkeys on the curving boardwalk, monkeys piled onto the stone statue of a god, monkeys nursing their pups, monkeys balancing on a man’s shoulder, monkeys lifting and lowering
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Vapor, elbows, the sidewalk, the sky
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I don’t know, I looked outside and it wasn’t fucking there. The tree. All the trees. They weren’t there. They were just gone. They were fucking gone
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A public service announcement about the importance of identifying and protecting the monarch
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Can the absence of something prove its existence?
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As a working historian, I’d like to now place the current events into an epistemological context. We may want to believe that a shared reality has been a constant throughout both modern and ancient history, but that’s merely a story we tell ourselves. There are numerous examples in our past when a multitude of groups observed an event or events in real time yet came to radically different interpretations. Take any civil war or revolution or reformation or sub-reformation. The difference here: what’s happening now isn’t interpretation   
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A sunflower sea star unfurls
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Ice bubbles in Pennsylvania
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Your Wednesday Wellness tip
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Yet was it a violent force to begin with? Or did we transform what it was into a violence because of how we met the force when it arrived?
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The secret to stress-free travel
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It was right here. You can see where the roots were, right? Those holes over there? It used to go up, I don’t know, 40 or 50 feet
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Snow falling locally and leisurely, wide white flakes
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Yesterday, I woke up
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State emergency services advises individuals in affected areas to:
* shelter inside
* wear a face mask or respirator
* secure the premises
* reduce exterior visibility 
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It has become difficult to write dystopias, fantasy, or any form of literature without sounding naive
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How would you like to receive a letter
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Revealing teeth
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Shelter inside, mask up, windows closed, blinds closed, don’t
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A woman walks out of the frame
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It would be useful to know what is happening
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Stay inside, mask up, windows
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Stay
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Break
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What
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There
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Red
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What
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Hand
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(low battery warning)

They’re trying to help us. What if we became
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Bird cam: empty nest, rain 
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I feel like a sense of narrative has been destroyed among other
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Don’t believe what you
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Fractured house, roof on the ground, the aluminum siding rendered
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The rain isn’t rain (low battery warning)
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Trees holding rope
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It appears this world got tired of pretending
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Enormous tracks
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A turtle (low battery warning) being
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I have started writing on
(power down)

Debbie Urbanski is the author of the novel After World (Simon & Schuster, 2023), the collection Portalmania (Simon & Schuster, 2025), and a lot of essays and short stories. She lives and hikes in Central New York. Find her online at debbieurbanski.com

Upon Hearing a Lecture at a Halifax Burial Site by Kallie Blakelock

Janet’s husband stands bowlegged, thin
grave-digger and former smoker, his hands
shake when he holds her

purse. He and I prowl
along the edges of the graveyard
while Janet goes on and listens.
At home in Toronto

he cremates bodies,
tells families that they can’t watch
him work, even when curiosity begs,
because only he, only Kevin, can handle the lifting
and shutting, only he can handle

lighting the furnace, lighting the fire that shivers
bones back to dirt. Yes, only Kevin knows

what happens when faces disappear real slow.
              He says he just has to think of them as logs.
And aren’t you glad it’s not you? Aren’t you lucky

that he does that
and that you can kind of ride
behind the car on a skateboard
with a rope and a helmet.

KALLIE BLAKELOCK is a former high school teacher who recently relocated from Charm City to Tampa. She is a poet who explores things like sorrow, bodies of water, and her own mind. Though she’s far from the salty Eastern Shore of Maryland where she was raised, Kallie loves the sunshine and community she has encountered during her time as an MFA student in poetry at the University of South Florida. She lives with her obese cats, Mowgli and Mona. This is her first publication.

We Took Turns Trying to Start the Truck With Our Minds by Jeffrey Hermann

I closed my eyes and held my fingers to my temples. Nothing. Just the quiet field. The two of us sitting in the truck cab, the summer sun still hot in the evening. She said anyone could do it but no one was like her. I’d known that right away.

I’d lost the keys somewhere in the field. I searched all over, running my hands through the tall grass. It’s not that important, she said to me, but I kept looking anyway, down by the river where we’d lain on a blanket, scanning the shallow water where a thousand stones resembled a thousand shiny keys. I imagined having to walk home, having to listen to the yelling. Really, don’t worry, she said. We can try something. Her voice was kind of cheery and I looked up at her. Kind of a game, she added.

When it was her turn she put her hand on the dashboard and closed her eyes. Almost like she was praying. She whispered to the truck. Or to something else, something really big or really small, somewhere inside. Watching her I imagined both possibilities, both futures: dead silence and the weight of the regular world rushing back into the car, or something extraordinary.

Within the dashboard something clicked. The engine gave a small chug, then turned and rumbled. I said something dumb like, whoa, or holy shit, and she smiled. We both laughed and I kissed her while she was laughing, our teeth hitting. I asked what else she could do and she said anything with an electric heart. I just looked at her, my mind a flood of questions I couldn’t articulate and something like joy. I must have stared too long, because her smile faded into an uncertain smirk. She turned to look out the window.

I’d been driving around aimlessly when I saw her that afternoon. The neighborhood a little shabbier than the other shabby neighborhoods. The house a little smaller than the other small houses. She was sitting on her front porch with a dog that looked really old. I stopped and she came over to the truck. We exchanged stilted hellos and then she asked where I was going. I said it was a nice day for a long drive. I knew she didn’t have a car; I’d seen her getting on and off the bus. She opened the door and got inside.

Now we sat together in a machine she’d just brought back to life. I put the truck in drive and we moved out of the field and onto the dirt road, then onto the paved two-lane, all the way to the gas station. We didn’t talk. I turned the radio on and after a minute she fiddled with the stations until she found something. She’d been here maybe six months. Assessed, categorized, and rejected by this place—the kind of place that works hard to make one kind of person and nothing else—in a matter of days. I’d watch people who couldn’t seem to blend in, couldn’t choke off their impulses to say or do something out of the ordinary, and feel pity. By the river, lying on the blanket together, she asked me what I was most afraid of and I said nothing. Fucking liar.

When we got to the Marathon I asked her what her favorite gas station meal was. She said a frozen Cherry Coke and Fritos. It was when I got inside and paid that I admitted to myself that my drive hadn’t been aimless. I knew where she lived. People had whispered about it. About her. When I came back out another car was just pulling away from the truck. I could hear the laughing, see the other girls’ hair whipping in the wind. Girls from here learn young not to cry. They learn to yell, to pull at each other. When I got back in the cab her face was calm. The sound of the car disappearing down the road. Sometimes I think about doing something terrible with it, she said. I don’t believe that, I said. Another lie. I could see it easily. Could imagine terrible things in vivid detail. She said she didn’t want to go home yet, then leaned back in her seat and took a long sip from the big red cup. No one was like her.

I drove us back down the two-lane, back down the dirt road to the field, parked the truck and idled there for a minute. Then I pushed the ignition, killing the engine. I’d have to make up a story about the key. But that was later. Outside was the sound of river water, a trilling of insects. Inside was the smell of heat and cherry sugar. She slid closer to me and then laid her head on my lap. She asked if that was OK and I said yes.

She closed her eyes and I watched her for a long time. I wondered if I could feel the pulse of something inside her, sense a hum of something kinetic. Instead I felt her get softer, her body’s weight relaxing into mine. I looked into the rearview mirror, catching my reflection, then back out at the field and the sky. Everything was so still—the truck, the evening, this girl. I was tired, too. And I wondered about quietness, stillness. I guess it had never occurred to me before. How sometimes things are resting out of exhaustion, and sometimes things are resting in preparation. That felt good. That felt strange for this place.

Jeffrey Hermann writes short fiction and prose poems in his spare time. One day when he retires he will write in his regular time. His work is out there if you look. His wife and two children and dog mean everything to him. He has two books forthcoming in 2027, from Unsolicited Press and Gnashing Teeth Publishing.