Learned Pig Writes a Poem by Ray Ball

For John Brooke and Ishmael Hope

The traveling circus
makes its way through the woods
where fallen leaves muffle
footsteps and the rattling of wheels,
and black flies swarm
swine and horse and man alike.

The learned pig
grunts twice and slips away
into forested freedom.
He roams alone
as much as his dad had.
His mama had once
eaten a newspaper
while she was pregnant.

Now there are no Italian fireworks
to light his way. No acrobats to leap.
No more audiences to astonish
and amaze. The sound of applause
rings in his ears then fades away.

He snuffles acorns and truffles.
He feasts in forested freedom
for an untold number of days,
but after a while he hungers
for more. He noses some twigs
into formation:

I have been
an abecedarian, fledgling
and elemental. In another life,
I might have been
Francis or Roger Bacon.

 

Ray Ball grew up in a house full of snakes. She is a history professor, a Best of the Net and Pushcart-nominated poet, and poetry editor at Coffin Bell. Her chapbook Tithe of Salt came out with Louisiana Literature Press in the spring of 2019, and she has recent publications in descant, Glass, and SWWIM Every Day. You can find her in the classroom, in the archives, or on Twitter @ProfessorBall.

To the Western Fox Snake I Watched Unhinge Its Jaw and Swallow a Mouse Whole by Kate Wright

I’m sorry I watched—jaws spread, gentle
pink interior visible, contrasted against black
rodent fur—stared as you walked your lower jaw
closer to tail, curved teeth gripping, pulling
body back. I couldn’t help it, wondered how
it feels to unhinge, swallow something
so large, the strain and squeeze of muscle
visible beneath gold and brown scale
spotted exterior. I know you’re nervous,
in a vulnerable state—hidden behind paper
half-curtain taped to glass tank for privacy,
the illusion of safety. So, I avoided eye contact
until just the tail hung from your mouth—slurped
down throat, the lump muscled, squashed,
and moving through the body.

 

Kate Wright received her BA and MA in English from Penn State and her MFA in Creative Writing and Environment from Iowa State University. This poem was inspired by her time volunteering at the Iowa Wildlife Center, where she particularly enjoyed working with the reptiles. Her work has appeared in or is forthcoming from in Digging Through the Fat, Up the Staircase Quarterly, Rogue Agent, Ghost City Review, and elsewhere. You can find her on Twitter @KateWrightPoet.

What I Found Underneath Love’s Fingernails by Michael Grant Smith

I was conceived during a nominally romantic tête-à-tête in a public lavatory alongside the information superhighway. My two recollections of the occasion are a sound as of wind approaching and a chain of my ancestors receding into the dusk. A relevant detective story: when push comes to shove, stay away from cliffs. I’ve grown this big since you last saw me. Famished cats scratch at my guts and a slant of sunbeams divides my reasoning, stacks my moods, mangles my composure. Confidence-seeking missiles, aimed with creepy radar, intercept my heart — the small bullseye it is. My daily existence lacks dietetic gravity, the foundation of caloric justice. I eat food served only in pounds and ounces because I find the metric system indigestible. Sweaty walls scatter the chatter of rattling footsteps. My state of mind is aligned precisely with the room’s stainless steel fixtures, defined entirely by landscaped pictures, and maligned subsequently in briefcased scriptures. Narcissists rely on the secret handshake, “Hello, how am I?” Medication across the nation floats my boat on the shiny briny sea of glass as I cast myself into the shadow of the sail, the shade, the cool cunning hideaway whose décor must shutter the bright unkind mouse-eyed light that slices my life’s cake like paper cuts from the envelope containing the winning ticket to ride instead of driving my point home on the range of the target we attack at dawn.

 

Michael Grant Smith wears sleeveless T-shirts, weather permitting. His writing has appeared in elimae, The Airgonaut, The Cabinet of Heed, Ellipsis Zine, Spelk, Bending Genres, MoonPark Review, trampset, and elsewhere. Michael resides in Ohio. He has traveled to Hong Kong, Shanghai, and Cincinnati. To learn too much about Michael, please visit him at www.michaelgrantsmith.com and @MGSatMGScom.

Goat of My Heart by Courtney LeBlanc

Goats will eat anything, their teeth and stomachs able
to chew through whatever they consume. In DC, the city
employs goats to eat through the wild poison ivy that grows
uncontrolled in Congressional Cemetery, the goats wandering
among the headstones, caring for them in an efficient way
that must be some sort of love. My heart is a goat, gnawing
through everything – him: a tin can that cuts my mouth
and throat as I swallow, the sharp taste of blood filling
my mouth, my belly full but with nothing to nourish me.
And then the other him: the dew-licked grass, tender and filling.
My heart always eats this last, unable to understand
the one who is good for me.

 

Courtney LeBlanc is the author of Beautiful & Full of Monsters (Vegetarian Alcoholic Press), and the chapbooks All in the Family (Bottlecap Press) and The Violence Within (Flutter Press). She has her MBA from University of Baltimore and her MFA from Queens University of Charlotte. She loves nail polish, tattoos, and her dog. Read her publications on her blog: www.wordperv.com. Follow her on twitter: @wordperv, and IG: @wordperv79.

Anubis 1 by James Vu

I set myself a bath.

Yes, men sometimes bathe.

When I light my cigarette, Anubis appears on the toilet seat. The light in the room changes—my eyes water in insect mosaics as pitch-black paint whisks along the cracking walls.

The water jigsaw puddles in blue and white, like glass over a cotton candy sky.

Put your face under, he says.

If it was the sea, then we’ve lost so much time and have seen so little.

His laugh isn’t exactly pleasant (it somehow darkens the room and makes my blood warm), but he tells me his favorite jokes, and shows me his collection of favorite ancient and post-industrial weapons.

The best ones are the guns we’ll never get to use. Just some prototypes, he says.

Then, all the pictures of his favorite demonic women, modest and nude. Mostly platonic, he says.

Those are the women we want most.

He smiles coyly, his teeth sharper and whiter than anything you’ve ever seen.

Anubis loves cigarettes, but he only smokes with me because he’s trying to quit. He has a confession:

“I’ve built every single crypt, blinding my vision of every face. It was my end of the bargain. I just want letters from the people I have known:

What the weather is like, how quiet the whispers are when they lay in the grass, or how the wind treats their faces when they’re up in the mountains…

the smell of smoked meat in the summer, and how the sun looks and feels day-to-day. I never got a letter, but I think it’s because they don’t know what to write.

It doesn’t have to be a tome or a tomb.”

In this sea of blue and white bath water, Anubis washes away in the still-dark, a Nile of every star surrounding the scarred, sacred moon.

The moon before all the buildings, streetlights and people. The one that cared for the animals.

With my shadow further from me than before

I rinse off,  I’ll only feel clean momentarily.

 

James Vu is a languid Californian keeping Portland weird. He is a comic book author and (currently not) paying the bills with a McJob. James Vu loves you and the Lakers. He used to love opiates. James Vu is taller than you and can cook. He just had a poem published in The Pointed Circle and will have a poem published in The Bookends Review in October.

morning ritual by KJ Shepherd

we lay in bed, shirts and briefs and bare feet,
punch drunk on antihistamines and no sleep,
riffing for hours:

on your dream and whether it’s about your
mother (yes); how transparent a ghost must
be (very); whether i ever went to a private
school (never); about my alter ego’s kinks
(spit); my fur (nice); your fur (incredible);
my eye crust and your snoring (oh well);

we fall into a celebrity incantation:

ruby dee, didi conn, rae dawn chong
kiki dee, deedee king, bb king, chaka khan,
connie chung ruby dee kikideedidiconn
raedawnchongchakakhandeedeeking c c h
pounder

hello i’m shelley duvall
(i kiss you and you kiss me back)
hello I’m shelley duvall
(we sing tom’s diner at each other)
hello i’m shelley duvall
(i plant my nose under your arms)
hello i’m shelley duvall
(my cat is confused by all this)

in the shower, I list all the ways
i will mess this all up:

if I leave town too much, or not enough;
if I fuck too many other guys, or not
enough; if I began to hate my cat for
liking you more than me; if you see me
when I yell in traffic; if I say I love you
loud enough for you to hear it; if you
say tina chow stacy keech robin leach and
I have nothing to give but my eye crust

hello I’m shelley duvall
(i make you breakfast with my last eggs)
hello I’m shelley duvall
(I’ve read about dual star systems)
hello I’m shelley duvall
(you lick my nose and I lick yours back)
hello I’m shelley duvall
(we laugh under the weight of all this)

 

KJ Shepherd was a historian who became something else. They run the zine you know, i don’t know, and you can also find their poetry and other writing at Contingent, Lady Science, and Tropics of Meta. KJ lives in Austin, Texas.

Call Me When You Need Me by Mac Crane

will you brush my teeth for me? is the question tossed about this house at night
while bats flap their wings outside, not knowing the myths they carry
it’s healthy to learn to trust people
that’s what all the therapists & self-help books say
I know a thing or two about the teeth in my jaw
attachment theory says we need consistent love from our caregivers
for the inconsistent times, we have stuffed animals & blankies
we have our wings to wrap around our cold quivering bodies
it’s the moments like small gods stacked on top of each other in a trench coat
it’s you smiling through a foamy mouth while I decide what to read in bed
we go looking for molars with just the right crunch
the right break-you-open-&-see-what’s-inside
but we never look in the most obvious of places
(the loneliness of an underwear drawer off its track)
earlier there were the too-full grocery bags, the list, the spilt blueberries,
the you watching me watching you eat a meal I made
the dog follows us into the bedroom
he tells stories with his eyelashes, their snowflake linger
I should be listening but I can’t stop thinking about a baby bat
hanging upside down hugging a teddy bear

Mac Crane is a queer, nonbinary writer and editor. Their work has appeared or is forthcoming in Pigeon Pages, Pidgeonholes, Drunk Monkeys, among others. They currently live in San Diego with their wife. You can read more of Mac’s work at marisacrane.org and their Twitter handle is @mcrane_12.

text message to alexia from a cleveland clinic waiting room before an electromyogram by Matt Mitchell

Mitchell Poem Submission

Link to PDF here: text message to alexia from a cleveland clinic waiting room before an electromyogram

 

Matt Mitchell is a writer from Northeast Ohio. His work appears, or is forthcoming in venues like The Boiler, NPR, Indianapolis Review, Passages North, and The Shallow Ends, among others. He is the author of Neon Hollywood Cowboy (2021).

Martin Moves In by Ellen Rhudy

It was the morning after their third date. Jenny woke with an odd heaviness on her stomach, as if someone were sitting on her. To stand she had to first roll on her side, levering herself towards the edge of the bed. A pinching at her crotch: a sheet of notebook paper rolled into a cigarette emerged, mucus stringing from one end.

Huevos coming, written in clumsy block letters she didn’t yet recognize as Martin’s. iPhone charger.

Jenny held the note a moment before laying it on the bedside table. She squatted with one hand on the mattress for balance. She bore down, imagining she could see with the pads of her fingers. This was not so different from recovering a stray tampon, she thought. She felt for a foot, for one of those damp hands that had grasped her own just the night before. Nothing emerged but another note: Nice try.

An hour later a GrubHub deliveryman arrived with an order of huevos rancheros, which Jenny ate. The next day an Amazon package addressed to a Martin Penderson, containing a phone charger and a pair of blue earbuds. Order pizza, said the note pressing into her underwear that night. Did my package come? Low batt. The block letters didn’t connect cleanly and it took her a few minutes to decipher his meaning.

You can have your package when you come out, Jenny texted. Order your own pizza. She appended a dozen dancing cat gifs and imagined his cries as his battery drained. Her back was so stiff that she felt as though her spine had been removed, knotted in two, and planted back beneath the skin.

She cancelled plans with her friends that night. Cancelled a date for the following day. Martin pummeled the inside of her stomach, his fists pressing against gleaming white marks shot across her skin. At times he settled on her bladder or pressed an elbow against her kidney; other times he went exploring, his fingers grasping for something he could never quite locate. He would come out when he was hungry enough, she thought, though a week passed with no movement.

When she’d used all but one of her vacation days she called her ex-girlfriend Sam, a doula. “Well fuck,” Sam said when Jenny opened the door to reveal her distended stomach, Martin’s elbow visible through her t-shirt. “You could try giving birth, if he were open to it,” she said as she pressed her palms on Jenny’s stomach, “but I wouldn’t if I were you.”

“You wouldn’t…?”

“It’s dangerous enough to have a baby, and he’s a full-grown man.”

Jenny stared at her stomach. She’d spent the morning laying on the hardwood floor, knees bent. She could feel her spine compressing into itself. “What about a c-section?”

A fist billowed against her stomach. Jenny watched Sam inspect its shadow. “There’s a support group for this,” she said before leaving. “Down the community center. That’s the best thing.”

That night Jenny tried to convince herself she wasn’t alone though she had not received a note in almost two days. She touched her stomach, felt the bulge of Martin’s head beneath her palm. She imagined the enveloping comfort of being inside a body that was not her own, of curling in the pliable constraints of a stranger’s womb. She inserted string cheese and slim jims as though they were tampons, then plucked free their empty wrappers with hesitating fingers. She snaked in the end of the iPhone charger and Martin pulled it like a lifeline, so fast that the square plug popped off and clattered to the floor. Jenny felt something like a bee sting, and ten minutes later her phone pinged.

I don’t like the cheese. As she stared at her phone a light began to dart across the floor, streaming from between her legs. Martin’s hands groped as though he was searching for some part of Jenny she hadn’t yet found herself. She emailed the support group leader, who wrote back, Yr body is a life-giving vessel, it is a home, you are a miraculous being. Hope 2 C U Wed at 8. She imagined this placid woman rubbing a gleaming parchment-thin stomach broken only by purple veins and the shifting contours of the body it held. On Wednesday night she jumped up and down in her living room, Martin laughing. She ran a bath and raised minor waves as she lowered herself, lay a towel across her stomach so she wouldn’t have to see his face pressing against her skin. Watching her limbs distort beneath retreating bubbles, she recalled reading that people loved water because it reminded them of their first lives.

Jenny took a deep breath and sank below the surface. Distantly she heard water splashing to the tiles. She waved her hands, stroked the smooth walls of the tub. She would have liked to turn over, to feel the rippled flowers on its floor. It must be nice, she thought, to float – to just float, and nothing more. To feel yourself held so secure. A damp bitterness would grip her when she emerged from the water to find her back still pinched, pain radiating around her left hip, feet crushed by the doubled weight of her body, but for this minute – she could have this minute. What’s the harm in her one minute, when Martin has all the rest?

 

Ellen Rhudy lives in Philadelphia, where she works as an instructional designer. Her fiction has recently appeared in The Adroit Journal, cream city review, SmokeLong Quarterly, Necessary Fiction, and Monkeybicycle. You can find her at http://www.ellenrhudy.com, or on twitter @EllenRhudy.