Casey performs exorcisms at the desk he rents in the corner, and that’s not even weirdest part about him. The bathroom in the middle of the shared workspace doesn’t lock, so he yells “occupado” whenever he’s in there and he hears us walk past. He surrounded his workspace with heavy velour drapes, mostly green, some burgundy, hung from the industrial girders overhead. Every time he enters or leaves it’s a full-on can’t-find-the-edge-of-the-curtain comedy routine. And he reminds us constantly that, even though he conducts exorcisms in there, he’s not an exorcist. He would need a license to be an exorcist.
Mostly, though, he’s gentle and sweet. He arranged a holiday potluck and gift exchange for the whole floor, and he remembers the names of our family members. Sometimes he stands a little close when he talks, and he’ll refer to our appearances more than he should, but here’s all you need to know about Casey: he eats a peanut butter and jelly sandwich, every day.
One morning, Casey shows up with a guy who looks exactly like him, except twenty-five years older, like a mugshot artificially aged by computers. We guess it’s his dad, and the old man stops at our desks to confirm it.
“Hey there,” says the guy. “I’m Casey’s father. Please allow me to apologize for my kook of a son.” He pauses so we can laugh. “What a weird-o, right? Just imagine trying to live with him.” In that moment we do, and it isn’t so bad, because Casey probably picks up after himself and keeps a lot of interesting books around the apartment. “I’m kidding,” says Casey’s dad. “But once again, here I am. Good old dad to the rescue.”
Casey comes up behind and says, “Is this senior citizen bothering you?” He smiles, but his eye also twitches, which tells us that Casey loves his father but is dying a slow death by a thousand tiny cuts from his old man. It explains a lot.
While Casey’s dad gets coffee from the kitchen alcove, we look him up. He used to be a licensed exorcist, until an incident twenty years earlier when he tried to extract the ghost of serial killer from some famous debutante. The procedure failed, and the girl went on to murder fifteen people, mostly library volunteers and crossing guards. Big deal, lots of press. Now, instead of being an exorcist, he exorcises people. Just like Casey.
“Dad’s here because I need help,” Casey announces to the office, the same way he does when he asks us to quiet down for his sessions or informs us the kitchen is out of paper towels: hands on his hips, eyes pointed at the ceiling, speaking to no one in particular. “Tough case,” he says. “Not sure what to do.”
The “tough case” arrives ten minutes later. A woman, barely five feet tall, with dark hair and skin. Old, but not that old. Big handbag, tan shoes. She shuffles across the floor with her head down. We don’t actually look at her; Casey says it’s weird enough for his clients to get exorcised in a co-op office space without random writers and programmers and graphic designers staring at them. As always, we remain as pieces of furniture, working on our computers.
Casey and his dad gesture the woman back towards the curtains in the corner, then both men bumble around to find an opening (hilarious). They enter, the drapes waft shut, and we hear the murmur of the exorcism. The fabric absorbs their actual words, but only for a little while. Casey and Casey’s dad raise their voices as they try to out-exorcise each other.
“The spirt of the almighty lord compels you to leave this woman.”
“Actually, the unknowable power of the father, son, and holy ghost command that you vacate this mortal host.”
We stay focused on our screens, even though it’s hard.
“Leave this earth forever, evil spirit.”
“Or, plunge forever into a bottomless pit of suffering as punishment for the sins you’ve brought to this earthly plane.”
That’s when things really start to get weird.
The curtains billow, and rays of light escape between the gaps. A low, rumbling voice speaks in some language we don’t understand. Our translation apps don’t recognize it either. Then thuds, thumps, and the sound of furniture dragging across the floor. We start an office email thread: “That’s some exorcism.” “It’s not an exorcism, remember—neither of them has a license.” “Should we be doing something?”
“The love of god will smite you forever.”
“And more importantly, your ancient evil will never sully mankind again.”
Ten minutes later the session ends, and the woman exits the curtains. She looks beat up but happy, like she survived an intense massage. A few minutes after that, Casey’s dad departs as well.
“A demon of the old world,” he says. “Those are tough ones. Here’s hoping it doesn’t take up residence in your microwave.” We look toward the kitchen alcove. ”Just teasing.” He laughs. “They don’t actually do that.”
After his father leaves, Casey comes out with his head in his hands.
“How’d it go?” we ask.
He tells the whole story as if we hadn’t heard it ourselves. When he’s done, he tries to smile, but he fails. “And I’m sorry about my dad. He can be awkward sometimes.”
Poor Casey. We try to help. “It sounded like you could have handled it on your own. You probably didn’t even need him.”
Casey’s such a good guy. Does anyone ever tell him that? “You’ve clearly got what it takes to be an exorcist,” we say. “You should get your license.”
“Maybe.” Casey shrugs. “Alright. Back to it.” He fumbles with the curtains again. The microwave makes a strange groaning noise. We wonder if it’s time to start working from home.
Eric Rasmussen serves as fiction editor for Sundog Lit, as well as editor for the regional literary journal Barstow & Grand. He has placed short fiction in Fugue, Gulf Stream, Pithead Chapel, and South Carolina Review, among others. Find him online at theotherericrasmussen.com.