My Last Summer with Narcissus by Jozie Konczal

Saw us wither beneath the brazen
haze. Listen: I tried
to keep him
from starving. He carried
pocketsfull
of water just for himself, never-
mind the thirst I acquired. When
the pool dried up he took dips
into my bed, beneath
the doting willow, which
too shriveled as summer
turned up her notch
on cruelty. I kept
the mirrors covered. Perhaps
he misplaced
his beauty in me—

I bristled beneath
the gazes of strangers but
turned languid
when gifted his glances.
Enchantment can
be shared. He held
my shoulders as though
they could wilt
beneath his hands. My window
let in enough moonspill
for him to find reflection in
the pale hollow of
my neck, the water
of my irises. I had only
a sliver of clouds to
drink from. Finally, they
grew swollen and broke
into rainfall. I followed
him back to water, he waded
waist deep
and I couldn’t harvest
the voice to beg him back.

 
Jozie Konczal is a freelance writer and poet with an MFA from the Jackson Center for Creative Writing at Hollins University. Her poems have been featured in Right Hand Pointing, Concho River Review, and Northern Virginia Review. She is also on the poetry staff of Cleaver Magazine, and is a contributing writer for EQ, a lifestyle magazine. 

Family Heirloom by Lilyanne Kane

On    

    pulpy  

        grass ‘neath

            the willow tree,  

                onyx snakes

            surface / thrash

       as water sweeps

    out of flooded

soil. Silver-fisted

    Grandaddy snatches

        one serpent. Gripping oil

            cord of sentient muscles

                at the base of its skull

            he slides the slippery

        beast into fledgling

    eggshell hands that

I    crack   open.  

    Zeppelins dripping

        along the vast sky

            within me. My thumb

                crosses sleet scales. Its

            tail thrashes. The

        creature constricts

    its tail around my

plump wrist and

    my viscid grip slips.

       Twin scarlet droplets

            sprout as fangs snap

                then vanish into the

                crick. I swallow salt

                and anger. The water

         runs clear of leechlike shadows.

      Still, I stalk through the reeds, rage-

        scorched, ‘til sunset as if I could        

             unsteal         his          bite,

                    exchange venom      

                         for naiveté.

                                 )

                                 (

                                 )

 

Lilyanne Kane is a non-binary butch lesbian poet and educator. They hold an MFA from the Mississippi University for Women. Their work can be found most recently in Passengers Journal, SOFTBLOW, and Open Minds Quarterly. They are on Twitter @CrumbPrince and on IG @PrinceOfCrumbs. 

The Night After the Procedure by Kara Knickerbocker

Content warning: pregnancy loss.

 

          I wake up, slick in the red darkness
not knowing my body as well anymore
but knowing enough something isn’t right,
worry that I’ve already baptized the bed
& try to right myself, make it slowly
to the bathroom, fumbling for light,
text you I can’t stop bleeding
& change through pad after pad
& finally give up, sit on the toilet‘s edge
as clotted globes, these other worlds
pour out of the open door of me
that I want to run out of but I can’t
even walk, my god I can’t do anything
but empty & stare in shock at the flood,
ask Google if I should go to the hospital
or if that’s money I don’t need to hemorrhage
& start to wonder if this is how I die
a woman drowned in herself, alone—
but at last the river runs dry just as the sky
begins to burn morning across the horizon
& it’s a strange thing to say, once spotless,
but I know so much is inside of us that
we never see & I watch the bright crimson
tint the water in the porcelain bowl, & I study
the scarlet stains seeping into my underwear
that I will later let soak & scrub, but for a moment,
I wear the rubies of my body like the precious thing it is,
so in awe of the bright red of a woman, who can love
& bleed from the most delicate part of her—
& think yes, this is fire that’s born from my very being

 

Kara Knickerbocker is the author of the chapbooks The Shedding Before the Swell (dancing girl press, 2018) and Next to Everything That is Breakable (Finishing Line Press, 2017). Her poetry and essays have appeared in or are forthcoming from: Poet Lore, Hobart, Levee Magazine, and more. She currently lives in Pennsylvania and writes with the Madwomen in the Attic at Carlow University. Find her online: www.karaknickerbocker.com

Teratoma* by Keshe Chow

we were heartbeats together
                                              we share the blood
we whispered sweet words through webbed skin
                                               on our hands;
i bided my time, watched you outgrow your caul
                                                but i’m frozen,
my cells divide, hazard lights–
                                                suspended in time.
you surround, stifle, axphyxiate me
                                                i slowly dissolve,
like i’m drowning, and then i disappear,
                                                i won’t secede to
the agonal trappings of
                                                your fleshy prison.
this blighted half-life; won’t you just
                                                pull my hair
curl ‘round your finger, ‘cause i like it
                                                just like that.
what would happen if i burst out?
                                                i would just
strip off your mantle and take it,
                                                shred your skin.
you see, dear sister, you already forget–
                                                I have teeth    

* This piece can be read as two standalone poems, or as one whole.

 

Keshe Chow is a Malaysian-born Chinese Australian veterinarian living in Melbourne with three humans and two cats. Her work has appeared or is forthcoming in Analogies and Allegories Literary Magazine, Maudlin House, Cross & Crow Keys, and Wrongdoing Magazine. In 2020 she won the Perito Prize and her short story was featured in their anthology.

Dear Wreckage by Matthew Murrey

“Tardigrades may have survived spacecraft crashing on moon”
The Guardian, headline, August 6, 2019

Good luck up there
little moss piglets, little water bears.
I first spied you in water
under a microscope decades ago.

I read how in one test you survived
exposure to space—the shattering
cold, cosmic rays, and an emptiness
that blows lungs and boils blood.

Tiny yet chubby, with eight legs and a valve
for a face, you are strange—but tough:
when there is nothing, you shrivel up
into an incredibly resistant crumb

while everything else is dead
set against you. Now you’re wrecked
on the moon—itty-bitty life notes
to a future countless lives

beyond mine. I hope you make it home
someday, that somebody—with some kind
of legs, eyes and hopes—scoops you up
brings you back, and soaks you to life.

That would deserve a parade, you as a giant
balloon. I’m picturing you floating five stories up
and guided down some wide avenue
like a huge Snoopy or a giant, yellow Pikachu.

 

Matthew Murrey’s poems have appeared in many journals such as Prairie SchoonerSplit Rock Review, and Under a Warm Green Linden. He’s the recipient of an NEA Fellowship, and his debut collection, Bulletproof – selected by Marilyn Nelson – was published in February 2019 by Jacar Press. He’s a public school librarian in Urbana, Illinois where he lives with his partner; they have two grown sons. He tweets at @mytwords and his website is at www.matthewmurrey.net.

Anatomy of a House Fire by Stella Lei

  1.  Kitchen: Gas on the stove. Grease in the air. The pop-pop-pop of heat shriveling paper towels and dishcloths, fabric wilting into itself like a flower in reverse.
  2.  Dining room: Smoke swelling like a storm. Placemats melting into table—saving spots for ghosts—checkered squares bleeding into particle board grain.
  3.  Living room: Sofa cushions sparking. Mantle photographs—lips pursed before candles and cake, dimples, gapped teeth—burning like flash paper, each soot-smeared face a burst of gold.
  4.  Closet: Twin coats tangled in embrace. Size small tucked inside large.
  5.  Study: Patents. Novels. Comics. Superman flaking into ash, It’s a bird, it’s a plane, it’s—
  6.  Hallway: A mother running, feet tangled in the carpet’s plush. A mother crawling with her head below smoke. A mother.
  7.  Bedroom door: Fists blazing. Skin cracking against wood. Nails scratching against knob. A cry. A shout. Wake up. Please.  

 

Stella Lei’s work is published or forthcoming in Gone Lawn, Milk Candy ReviewWhale Road Review, and elsewhere. She is an Editor in Chief for The Augment Review, she has two cats, and she tweets @stellalei04.

The Red Ladybug by Paul Rousseau

She sees a ladybug
crawling across her
bedroom windowsill.
An urge to crush it comes over her.
To make a mini mortar and pestle matter
of red and yellow guts.
The exact moment she decides to spare the insect,
she realizes it is already dead—
and only reanimated by the periodic gusts
of her oscillating fan.

 

Paul Rousseau is a disabled writer from Minnesota. His work has appeared or is forthcoming in Wigleaf, Catapult,  Roxane Gay’s The Audacity, X-R-A-Y, and JMWW.

Anyway, it’s Tuesday and this morning… by Atma Frans

when you stepped out of the bath, the mirror laughed
at the wrinkles cartwheeling down your belly
and the slack-jawed skin just hanging around.
Your once round-shouldered breasts flapped about
not quite sure what was still expected of them.
You surveyed the age spots, scars and crooked bits—marks
of the times you trolleyed your body through life like a cocky suitcase.
And then you towelled it, this loyal, beautiful friend.

 

Stories and poems by Atma Frans have been published in The New Quarterly and Arc Poetry Magazine, as well as long-listed for The ELQ/Exile’s Carter V. Cooper Short Fiction Competition and the Writers Union’s Short Prose Competition. In her writing, Atma searches for the voice beneath her personas: woman, immigrant, mother, Sikh, trauma survivor, expressive arts therapist, queer, and poet. She lives in Gibsons, B.C.

Family Monsters by Donald Illich

As Mothra, I spin around
the family room, seeking
anywhere but flames.

Mom is Rodan, screeching
at anything that makes her
angry. My father, though,

crashes through the scene
as Godzilla, the big destroyer
who burns all resistance,

leaving smoke in his wake.
He occupies the living room,
while we cry in the kitchen,

I daub Rodan’s tears with wings,
while she massages my back
with her beak. If only we could find

a way to live in peace together.
But it’s too late for that.
We’ve been exposed to radiation

our whole lives, the toxic waste
of guilt and recriminations.
We might dwell under the same sky,

soldiers might try to fire on us all,
but we must depart to separate lairs,
pledging one day to return.

In the future we will not be creatures.
We’ll turn back into human beings,
wearing a suit, a dress, a concert t-shirt,

whatever forms the fates allow,
to once again go outside in the light,
breathing nothing but clean air.

 

Donald Illich has published poetry in journals such as The Iowa Review, Fourteen Hills, Map Literary, Passages North, and Cold Mountain Review. He won Honorable Mention in the Washington Prize book contest. He recently published a book, Chance Bodies (The Word Works, 2018).

Lilith with Snake, with Body by Kathryne David Gargano

lilith with snake
 
Link to text readable PDF here: poetry lilith with snake gargano

 

Kathryne David Gargano (she/her) hails from the Pacific Northwest, but isn’t very good at climbing trees. She is a queer poet and fiction writer currently pursuing a PhD in Creative Writing from the University of Wisconsin – Milwaukee. Her work has been published in Pithead Chapel, Salt Hill, Phoebe, minnesota review, Tahoma Review, and others. She can be found on Twitter @doubtfulljoy.