Ode to My Sleep Mask by Michael Mark

satin slip

of void

masqueraders’ façade
villain’s guise

classic
                                                                                    hole
                                            black

stack of bills
and ceiling crack
concealer

even

the cat’s gaze

i fantasize inside
you noon to                                                                                     new moon

                                                        locked in
clockless flight

my eye
nighty my
cloaked orbuculum

tapered abyss

over my nose

bump
and slope

 

Michael Mark’s poetry has appeared or is forthcoming in Alaska Quarterly Review, The Arkansas International, Copper Nickel, Michigan Quarterly Review, Pleiades, Ploughshares, Salamander, Salt Hill, The Southern Review, The Sun, Waxwing, and The Poetry Foundation’s American Life in Poetry. He’s the author of two books of stories, Toba and At the Hands of a Thief (Atheneum). His website is at michaeljmark.com.

Kuchisabishii by Kathleen Hellen

pre-wired for the bliss that maximizes

pleasure
I motive toward the impulse
motive toward taboo—o,

little lonely mouth
opening and
closing

the self self
administering

M&M’s, double-chocolate chip
I oven nothing but
the comfort of

the silver fridge
that Jabbas like a hut
the Ben & Jerry’s—o,

little lonely mouth
transmitting

from febrile tongue
to hips
expanding

a theory of the
sex
without the sex

I feast
on the enormity of self

 

Kathleen Hellen’s honors include prizes from the H.O.W. Journal and Washington Square Review, and her prize-winning collection Umberto’s Night, published by Washington Writers’ Publishing House. Hellen’s poems have appeared in Barrow Street, Cimarron Review, Colorado Review, jubilat, The Massachusetts Review, New Letters, North American Review, and West Branch, among others. Her credits also include two chapbooks, The Girl Who Loved Mothra and Pentimento. Hellen’s latest full-length poetry collection is The Only Country Was the Color of My Skin.

At night I imagine the coyotes by Gion Davis

Laughing together
On the swing sets
At the empty school up the road
The city is finally theirs
I’d laugh too if it was me
Who was I?
My star chart says I was born
To be an employee
When I always felt I should be
A planet myself
Trudging through the universe
As a gigantic lonely eyeball
Leave it to heaven
To tell me how I should
Exist on the ladder
As though it wouldn’t be more
Cost effective for me to drop dead
Abandoning the pizzas I’d pick up
With all the boyfriends I’d have
The tattoos and birthdays
And paying for water
What is it like
To be an unstructured animal
As innocent as Jupiter
And twice as beautiful

 

Gion Davis is a queer poet from Española, New Mexico where they grew up on a sheep ranch. Their poetry has been featured in Wax Nine Journal, SELFFUCK, Tilted House, and others. They have received the Best New Poets of 2018 Prize selected by Ocean Vuong. They are the editor of Rhinestone Magazine and their chapbook Love & Fear & Glamour was published in 2019. They graduated with their MFA in Poetry from the University of Massachusetts, Amherst in 2019 and currently live in Denver, Colorado. Gion can be found on Twitter @gheeontoast and on Instagram @starkstateofmind.

Shadows by Ruth Lehrer

It’s a good thing to know who your enemies are
That’s what they say when they start worming
into all the holes of your life
tracking your diet your loves your mindset
analyzing meaning in your patterns of poop
what the wrong type of tea can do to your tooth enamel
scribing all your failures
in a chart on a spreadsheet in an app
dictating a memo to all your exes and past librarians
checking all the books you have left on your shelf
for more than six months without cracking
and taking away a donut and six Oreos
for each rhyme you left unfinished

You try to keep your nail biting a secret
but it’s typed in Helvetica on the bathroom wall
in red paint against the tiles blue.

 

Ruth Lehrer is a writer and sign language interpreter living in western Massachusetts. She is the author of the novel Being Fishkill, the poetry chapbook Tiger Laughs When You Push, and many other poems. You can find her website at ruthlehrer.com.

Last Seen Leaving by Laura Ring

Stay off the back roads, Beynon says.
We do not listen. We eat the roads
and the roads eat us – swallow us
like a gullet so we forget.

We want to ride the velvet maw forever –
brushed by bronchioles of northern pine,
the muscled tongue of riverbeds. We are blind
to landmarks: Molly Supple Hill, Bear Swamp

ghosted, empty of reference. We press
our cheeks against granite molars, cool,
carved out of mountains. Lick the water
that falls like tears off lichen-patched rock.

The Folk will try to trick you, he says.
With fruit trees, or a bird with a broken wing
and you’ll be lost.
The road is a marrow bone.
We suck in mile after reticular mile.

Stripped of street signs and last names,
we are innocent of home. The road swirls us
under its nose. How gladly we dance,
like wine legs on the curved bell of a cup.

 

Laura Ring is a poet, short story writer, anthropologist, and librarian. Her work has appeared or is forthcoming in Dream Pop Journal, Ethel Zine, and RHINO, and she was a recent finalist in the DIAGRAM, Sundress, and Tiny Fork chapbook contests. A native Vermonter, she lives in Chicago.

Meeting Octavio Paz on the Planet Jupiter by Jose Hernandez Diaz

I met Octavio Paz on the planet Jupiter last fall. He said he’d been living there since his death. Myself, I was on vacation with my family. When I first saw Paz, I paused and asked myself, “Should I go up to him, he’s won the Nobel Prize?” I did. I introduced myself as a comic book writer and illustrator and that it was a pleasure to meet him. We shook hands. I didn’t want to talk about writing with him, so I asked his favorite soccer team. “Pumas,” he said. Later, he asked me what was the name of my most famous comic book so he could get a copy. “The Magician,” I told him. It was getting cold on Jupiter, so we called it a night after that. I never forgot his calmness, though, his class and elegance.

 

Jose Hernandez Diaz is a 2017 NEA Poetry Fellow. He is the author of The Fire Eater (Texas Review Press, 2020). He has been a finalist for the Andres Montoya Poetry Prize, the Colorado Poetry Prize, and the National Poetry Series. He lives in Los Angeles County where he is an educator and editor.

My Last Summer with Narcissus by Jozie Konczal

Saw us wither beneath the brazen
haze. Listen: I tried
to keep him
from starving. He carried
pocketsfull
of water just for himself, never-
mind the thirst I acquired. When
the pool dried up he took dips
into my bed, beneath
the doting willow, which
too shriveled as summer
turned up her notch
on cruelty. I kept
the mirrors covered. Perhaps
he misplaced
his beauty in me—

I bristled beneath
the gazes of strangers but
turned languid
when gifted his glances.
Enchantment can
be shared. He held
my shoulders as though
they could wilt
beneath his hands. My window
let in enough moonspill
for him to find reflection in
the pale hollow of
my neck, the water
of my irises. I had only
a sliver of clouds to
drink from. Finally, they
grew swollen and broke
into rainfall. I followed
him back to water, he waded
waist deep
and I couldn’t harvest
the voice to beg him back.

 
Jozie Konczal is a freelance writer and poet with an MFA from the Jackson Center for Creative Writing at Hollins University. Her poems have been featured in Right Hand Pointing, Concho River Review, and Northern Virginia Review. She is also on the poetry staff of Cleaver Magazine, and is a contributing writer for EQ, a lifestyle magazine. 

Family Heirloom by Lilyanne Kane

On    

    pulpy  

        grass ‘neath

            the willow tree,  

                onyx snakes

            surface / thrash

       as water sweeps

    out of flooded

soil. Silver-fisted

    Grandaddy snatches

        one serpent. Gripping oil

            cord of sentient muscles

                at the base of its skull

            he slides the slippery

        beast into fledgling

    eggshell hands that

I    crack   open.  

    Zeppelins dripping

        along the vast sky

            within me. My thumb

                crosses sleet scales. Its

            tail thrashes. The

        creature constricts

    its tail around my

plump wrist and

    my viscid grip slips.

       Twin scarlet droplets

            sprout as fangs snap

                then vanish into the

                crick. I swallow salt

                and anger. The water

         runs clear of leechlike shadows.

      Still, I stalk through the reeds, rage-

        scorched, ‘til sunset as if I could        

             unsteal         his          bite,

                    exchange venom      

                         for naiveté.

                                 )

                                 (

                                 )

 

Lilyanne Kane is a non-binary butch lesbian poet and educator. They hold an MFA from the Mississippi University for Women. Their work can be found most recently in Passengers Journal, SOFTBLOW, and Open Minds Quarterly. They are on Twitter @CrumbPrince and on IG @PrinceOfCrumbs. 

The Night After the Procedure by Kara Knickerbocker

Content warning: pregnancy loss.

 

          I wake up, slick in the red darkness
not knowing my body as well anymore
but knowing enough something isn’t right,
worry that I’ve already baptized the bed
& try to right myself, make it slowly
to the bathroom, fumbling for light,
text you I can’t stop bleeding
& change through pad after pad
& finally give up, sit on the toilet‘s edge
as clotted globes, these other worlds
pour out of the open door of me
that I want to run out of but I can’t
even walk, my god I can’t do anything
but empty & stare in shock at the flood,
ask Google if I should go to the hospital
or if that’s money I don’t need to hemorrhage
& start to wonder if this is how I die
a woman drowned in herself, alone—
but at last the river runs dry just as the sky
begins to burn morning across the horizon
& it’s a strange thing to say, once spotless,
but I know so much is inside of us that
we never see & I watch the bright crimson
tint the water in the porcelain bowl, & I study
the scarlet stains seeping into my underwear
that I will later let soak & scrub, but for a moment,
I wear the rubies of my body like the precious thing it is,
so in awe of the bright red of a woman, who can love
& bleed from the most delicate part of her—
& think yes, this is fire that’s born from my very being

 

Kara Knickerbocker is the author of the chapbooks The Shedding Before the Swell (dancing girl press, 2018) and Next to Everything That is Breakable (Finishing Line Press, 2017). Her poetry and essays have appeared in or are forthcoming from: Poet Lore, Hobart, Levee Magazine, and more. She currently lives in Pennsylvania and writes with the Madwomen in the Attic at Carlow University. Find her online: www.karaknickerbocker.com

Teratoma* by Keshe Chow

we were heartbeats together
                                              we share the blood
we whispered sweet words through webbed skin
                                               on our hands;
i bided my time, watched you outgrow your caul
                                                but i’m frozen,
my cells divide, hazard lights–
                                                suspended in time.
you surround, stifle, axphyxiate me
                                                i slowly dissolve,
like i’m drowning, and then i disappear,
                                                i won’t secede to
the agonal trappings of
                                                your fleshy prison.
this blighted half-life; won’t you just
                                                pull my hair
curl ‘round your finger, ‘cause i like it
                                                just like that.
what would happen if i burst out?
                                                i would just
strip off your mantle and take it,
                                                shred your skin.
you see, dear sister, you already forget–
                                                I have teeth    

* This piece can be read as two standalone poems, or as one whole.

 

Keshe Chow is a Malaysian-born Chinese Australian veterinarian living in Melbourne with three humans and two cats. Her work has appeared or is forthcoming in Analogies and Allegories Literary Magazine, Maudlin House, Cross & Crow Keys, and Wrongdoing Magazine. In 2020 she won the Perito Prize and her short story was featured in their anthology.