TRAVEL & LEISURE
I’d see them in the cardiology waiting room. Not every time, but often. The man, shuffling behind an aluminum walker, his right foot dragging; the woman, slowing her gait to keep pace. Always, her hand rested lightly on his bicep. That was completely unnecessary. A gesture of tenderness, I guess. He looked like my second husband. She looked like the Starbucks barista my husband shacked up with before divorcing me. I’d stare at them until the woman felt me looking and glanced over to where I’d parked myself near the giant aquarium so I could reap the calming benefits of fish swishing. My eyes were flamethrowers that singed her bangs, burned through her skull, and incinerated the smoking cessation poster that hung on the wall behind her. Satisfied, I’d pretend to turn back to Travel & Leisure or Yacht World.
That was before my doctor shunted me off to hospice.
It was strange. I hated that waiting room. But when the couple appeared I forgot that I was waiting. Suddenly, I had energy and a sense of control, whereas just moments before, I’d had neither. I liked sketching in the details of their lives, imagining the bank statements and what was parked in the driveway. I liked thinking about her slutty lingerie, long abandoned, the elastic going slack in a bottom dresser drawer. I liked thinking about her bitching to her friends over too many glasses of Sauvignon Blanc about the pill bottles crowding her quartz countertops. About the long, tedious nights building puzzles instead of fucking.
Those were good afternoons for me.
It’s been months since I was there. But sometimes, as I’m staring down the teddy bear the volunteers insist on staging at the foot of my bed, I think of that couple. I wonder if he’s in a wheelchair now. I wonder if she’s gotten fat. I hope she’s gotten fat. These daydreams are necessary; they counteract all this false cheer. I heard one of the nurses talking about me, the only thing keeping that one alive is spite. I’m still listening for rubber wheels rolling down the hallway. To feel a little surge.
THE FARM
Pat calls on a Monday night to tell me my nephew – his son – is dead.
He never says dead. He says Joel is gone. But I know what he means right away, like I knew when our mom told us Sparky or Boo or Snowflake went to the farm, so they could run freely instead of eking out their short doggy lives in our cramped backyard.
Gone. That’s all he says. That’s all he can say.
When I get to the ER, Pat is slumped on a vinyl couch, yowling through clenched fists, like a cat with its tail stuck in a slammed door. The chaplain patting his back looks glad to see me. Five bug-eyed youth silently circle the room, like a school of guppies – stoic little fish, who spend their short lives sucking lines of shit off the bottom of their tank and then spitting them out to try again. Relentless in their efforts to find something delicious. Each time, it’s shit. These are Joel’s 12-Step friends. His goddamn friends, who watched him die.
It’s time to see Joel, but Pat says he can’t – he doesn’t want to see him this way, which is dead. When we were kids, I always took care of the lesser burials. Dozens of goldfish, two turtles, three lizards, and a chinchilla. A grim menagerie interred in our mother’s garden, near the concrete statue of Mother Mary. Our household was rough on living things. This is why I never had children.
The chaplain leads me through a set of double doors, and there’s Joel, wearing the same flannel shirt he was wearing on Saturday. Our boy needs a haircut. His copper locks, the same shade as mine, are shaggy at his neck and fall haphazardly across the petals of his cheeks. His hand is still warm – only a little bit cooler than my brother’s. Where are you, Joel? I whisper in his ear. The chaplain fidgets. He’s certain Joel is strolling through God’s cosmic vivarium. I shoot him a look and he leaves us alone. Can he tell how much I hate him right now? He knows my type. A lapsed Whatever, with my poems and pop songs and coffee can ashes, making half-assed attempts at the everlasting – when what I want is the farm.
I tell Joel if believing made it so, I’d make myself believe it. I’d send you to a party that goes on forever and never gets out of hand. Where you could play three-handed pinochle with your mother and grandfather and share a bottle of magic bourbon. The kind that won’t lead to black eyes or scarred livers. I’d make sure you’re happy. That you know you’re enough. I’m crying now, with my head on his chest. Bawling, really, like a motherless calf. I picture the floribunda roses framing my mother’s backyard shrine. Vivid red. Heavenly scent. Climbing the chain link, spilling over in its vigor. Back every year, despite our neglect.
Linda Drach is a poet and writer, public health program manager, and volunteer writing group facilitator for the nonprofit Write Around Portland. Her writing has been published in The Bellingham Review, Cagibi, CALYX, Cathexis Northwest, The Timberline Review, and elsewhere. She studies and teaches at The Writers Studio.









