Something Like Healing by Wendy Elizabeth Wallace

Apartment in Downtown Wilmington, N.C.

Posted by Kelly M.

May 2024

Perfect place to go with best friend after a parent has died. Easy off-street parking for the car her mom left her that still smells like her mom did at the end – orange blossom perfume to cover up the smoke from the joints friend’s mom and friend would drive around with (for the pain). Friend would buy the weed, roll the joints in that delicate, careful way she has with things, and the two of them would laugh about their covert mother-daughter drug deals. Bathroom is modern and well-appointed. Plenty of hot water and pressure for the hours friend spends scalding her body and the hair she just cut boy-short (looks so different, but amazing on her). Two blocks away from coffee shop that makes strong cappuccinos, which are necessary after drive and also since pretty sure caffeine is the only thing keeping friend going, because she moves like she’s wearing one of those lead aprons for X-Rays. Coffee shop also has assortment of fresh baked goods friend has a bite or two of before pushing away, shedding crumbs on the breakfast table. Breakfast table is nice, maybe stone? Easy to clean. Couch is small, but perfect for sitting hip-to-hip with friend and binging Buffy. TV is good, picture with plenty of clarity to see Sarah Michelle Gellar’s flawless face (always want to ask friend, who is straight, if she’s not at least just a little attracted to SMG? But not the right time) and that commercial for dog food we can’t watch, because friend’s mother was a veterinarian. Friend and friend’s mom used to hate-watch The Dog Whisperer together, friend’s mom shouting back at Cesar Milan about all the ways he was screwing up while friend laughed. Appreciate boxes of tissues placed strategically around apartment. Good for grabbing and bringing when unsure what to do for friend when sobs jerk out of her. Mattresses are soft and comfortable – lack of sleep not at all because of bed, but due to friend’s snoring (likely a result of congestion from crying). WiFi is fast when Googling “Can someone die of grief/being very very sad?” and getting concerning articles about studies on elephants. Plastic cups in kitchen are very big, just right for mixing ginger ale and whiskeys the next morning, because friend says she wants to drink – and there’s room for heavy pours after intense first day and intense night of elephant mourning research and those times got up to put a finger beneath friend’s nose just to be sure, to feel the gentle puff of life, then fearing would wake/disturb her. Cute fish pattern on cups, their big lips make friend laugh a little and pucker her lips too and for a moment she seems like she could become maybe not entirely what she was before, but something near. Cups are also sturdy so do not break when friend suddenly throws one down and screams, “This isn’t fucking fair,” and “I don’t want to be here!” Beach is only about a fifteen-minute drive. Nice beach, good for coaxing friend out of the ball she’s made of herself in the passenger seat and down to the water’s edge, where the waves drift around the ankles neither of us bothered shaving, swishing at the fine growth of hair, as our feet slowly sink into the sand. I let myself take my friend’s hand for the first time ever and I try to charge mine with something like healing, as I squint up into the sky that is blue blue blue forever and with my heart say to it, Please, help me know what I should do.

Host, Ryan, is very communicative, and allowed us to stay for an extra three days. Would highly recommend.

Wendy Elizabeth Wallace (she/they) is a queer disabled writer. She grew up in Buffalo, New York, and has landed in Connecticut by way of Pennsylvania, Berlin, Heidelberg, and Indiana. They are the editor-in-chief of Peatsmoke Journal and the co-manager of social media and marketing for Split Lip Magazine. Their work has appeared  in The Rumpus, ZYZZYVA, Pithead Chapel, SmokeLong Quarterly, Brevity, and elsewhere. Find her on Twitter @WendyEWallace1or at wendywallacewriter.com.

Litter by Ewen Glass

Safety-pin ribs, and black-rice eyes.
Ungenerous fur; mottled red
is the blanket box where placenta lay,
a feast of preservation. Failed.
An eight year-old snaps safety-pins closed.
Eyes flower, and against
Great Natural Law #311, shrink
through seed to nothing.
Or a purse discarded on the floor,
beside three others.

Ewen Glass (he/him) is a poet from Northern Ireland who lives with two dogs, a tortoise, and lots of self-doubt; on a given day, any or all of these can be snapping at his heels. His work has appeared or is forthcoming in HAD, Bridge Eight, Poetry Scotland, Bending Genres, and elsewhere. On the socials – and indeed in real life – he is pretty much @ewenglass everywhere.

Teen Angels by Karen Crawford

We always get past the velvet ropes. (Always.) We weave through the crowd. Past the blue-collar and fur collars clambering to be noticed. Waiting to be judged. The three of us, shy of 16 with glammed-up hair, smokey blue eyes, and pink lacquered lips. Our hearts thumping to the beat of black beauties. We separate once inside. Farrah to dance it off on a monster speaker. Jaclyn to tease some shirtless bartender into buying her a Mai Tai. And me, forever Kate (not our real names), heading to the bathroom to pee.

We always check in with each other by the lounge. (Always.) But tonight, I am panic-attacking in the restroom, my heart exploding from the pills that Jaclyn (borrowed) from her mother’s purse. While a guy sexier than a cover girl stares me down in the mirror, applying lipstick like a pro. His eyes are two Fourth of July sparklers. Mine, two moons eclipsed. Girl, he says as he lights up a joint, you really need to breathe.

We always meet up for a toke on the balcony. (Always.) But tonight, I’m sucking in air by myself, trying to turn the beat around, watching the action below. That’s when I spot Jaclyn’s mom?! dancing with a man wearing nothing but a speedo and a peacock feather headdress. Jaclyn’s mom, Jaclyn (not her real name), is a panther in black spandex. A Rockette in red stilettos. Jaclyn’s mom, Jaclyn, is white-hot hot, partying under a moon with a spoon with a man wearing nothing but a speedo and a peacock feather headdress.

We always sniff out trouble. (Always.) But tonight, someone is ninjaing into the seat next to mine. I smell him before I see him, Paco Rabanne, maybe Aramis. Heavy and thick like the gold chain around his neck. Jaclyn’s mom would call him bridge and tunnel. I’m thinking Greased Lightening. He whips out a teeny bottle with a teenier spoon and takes a hit. His friends slide in through the other side. One of them leans over, a spritz of rum and coke in my ear. You know what goes on up here, don’t ya, pretty baby? The disco lights strobe. Black. White. Yellow. Red.

We always get lost in the music and lights. (Always.) But tonight, it’s a madhouse assault on the senses, a twilight zone of faces, glitter, and skin. I try to get up. Greased Lightning pulls me down. Where you going, pretty baby? I just got here. Someone is yelling, Get a load of Catwoman! Greased Lightening thrusts his tongue inside my earThe disco lights strobe. Black. White. Yellow. Red. Jaclyn’s mom is slinking down the aisle, flexing her claws to the beat of “Devil’s Gun.” Jaclyn and Farrah (teen angels) in towI get to my feet, peep toe Candies sticking to the floor. There you are, Jaclyn’s mom purrs. White-Hot-Hot.

Karen Crawford lives and writes in the City of Angels. She is a Pushcart Prize nominee and was included in Wigleaf‘s Top 50 Longlist 2023. Her work has appeared in Maudlin House, Spry Literary Magazine, Emerge Literary Journal, Cheap Pop, 100 Word Story, and elsewhere. You can find her on twitter @KarenCrawford_ and BlueSky @karenc.bsky.social.

Pikachu as Van Gogh with Grey Felt Hat by Matthew Murrey

Maybe as a kid Vincent had ruddy cheeks;
God knows he never painted himself
that way. Nothing in his self-portraits
says “See how electric and spunky I am!”
But when he turned those green eyes
on the world, then everything crackled:
leaves and lamps and streets and stars,
even grapes lemons pears and apples.
So I’m glad for the pert yellow ears poking
up through that grey felt hat. I’m pleased
with the playful little smirk on its pudgy face.
I’m even okay with the round, dewy eyes,
lit and bright as his must have been before
he knew how hungry he’d be, how poor.

Matthew Murrey is the author of Bulletproof (Jacar Press,  2019) and the forthcoming collection, Little Joy (Cornerstone Press,  2026). Recent poems can be found in The Ekphrastic Review, Roanoke  Review, ballast, and elsewhere. He was a public school librarian for 21  years, and lives in Urbana, IL with his partner. His website is at www.matthewmurrey.net, and can be found on Twitter, Instagram and – sometimes – Bluesky under the handle @mytwords.

All Children Eat Their Mothers and I Saw a Man Kill Himself by Mea Cohen

CW: violence and suicide

All Children Eat Their Mothers

It starts in the womb, then moves to the tit, of course, and only continues from there.

I am constantly taking small bites of my mother. Every time she tucks a loose lock of hair behind my ear, I sink my teeth into the bones of her hand, before pulling the lock loose against my face again.

When she stands at the door with her purse strung over her arm, telling the new babysitter what to feed me and when to tuck me in, I gnaw at the soft flesh of her middle. She smooths back my hair and says, Ok, sweet girl. Be good and eat your supper for the sitter. But I’m already full. I sneak one more nibble before she’s out the door.

At the doctor’s office, I tell him my stomach aches. He asks me to point to where it hurts. I point to my mother. They both laugh. I don’t.

I Saw A Man Kill Himself

I saw a man jump clear off a building. Make a bright red splatter of himself on the sidewalk below. I should have seen it coming, but still it surprised me.

I was walking my dog down a typically uncrowded street in Chinatown. A private treasure of ours. A secret pleasure. I should have known something was strange when I saw a group of old ladies gathered on the sidewalk, red plastic shopping bags dangling in their hands, their necks all craning upwards at the roof of an apartment building.

Before I had a moment to join their gaze, a man jumped to his end at their feet. The ladies screamed in a high-pitched chorus. I froze with my dog by my side. I should have tried to help him, seen if there was anything that could be done. Instead, I stared at the body. Watched the blood form a slowly expanding, darkening pool. The color grew deeper as the pool grew wider. The ladies backed away, still screaming, some crying.

Later that night, trying to sleep in my bed, my dog curled up by my side, I thought of the man’s blood again. I thought of my own blood the same color, inside my body.  Wondered about the pool it would build around me if I jumped off my own building. Wondered who would take care of my dog.

Born and raised in Palisades, NY, Mea Cohen is a writer based in New York City. Her work has previously appeared in West Trade Review, The Gordon Square Review, OPEN: Journal of Arts and Letters, and more. She earned an MFA in creative writing and literature from Stony Brook University, where she was a Contributing Editor for The Southampton Review. After working in the publishing industry for companies such as the David Black Literary Agency, Trident Media Group, and Audible, she is now Founder and Editor in Chief for The Palisades Review and a Partnership Manager at Stitcher.

Magazine City by Katherine Schmidt

Everything is too real and also pigeons.
Glossy city filled with magazine people
& dog shit. Too many cherry blossoms
& not enough tourists. You know, what we say
becomes reality. Yesterday I sipped the Potomac
from a chalice & grew wings. Today
I’m marinating in springtime 80-degree weather,
trying to ignore people talking too loud
over the corner store’s music. Do you believe
cities breathe? There’s no other explanation.
“Make sure to vote,” they say. But also,
“Nothing is real.” That hurts because.
What is more real than this?

Katherine Schmidt is a poet currently based in Washington, D.C. and the co-founder and co-editor of Spark to Flame: A Journal of Collaborative Poetry. Her work has been published in Bending Genres, Variant Lit, Rejection Letters, 3Elements Review, Unbroken, and elsewhere.

Boy Crazy by Brittany Ackerman

I.

The summer we moved to Florida was the same summer Bug Juice premiered on the Disney channel. We were living at the Westin hotel in Fort Lauderdale. We spent our days house hunting and our afternoons swimming in the hotel pool. We didn’t have any furniture. We didn’t know where we were going to school come fall. But it was June, and then July. And every Saturday night, I’d beg my brother to let me watch Bug Juice for the twenty-two minutes it aired.

There was a curly-haired girl named Stephanie. She said the girls in her cabin were mad at her because all she cared about was boys. They called her “boy crazy.” I watched Stephanie slow dance with boys at camp; I watched Stephanie walk around twirling her hair, flirting.

In the hotel elevator, I practiced slowly blinking my eyes. I played with my hands.

I wanted to sway on a wooden dance floor in the middle of the woods.

II.

I drank a Java Chip Frappuccino every Wednesday night during Lit Theory. I hated the class, but I liked using the green straw to spoon out whipped cream and lick it to stay awake. I wore Hollister sweatpants and Target flip-flops. My favorite top was this halter top that said I love you to the moon and back across the chest.

My boyfriend was forty-two. He worked as a financial advisor at some bank in Boca Raton. All we ever did was peck on the lips because I told him I was still heartbroken over someone else. He lived in a high-rise near the beach that had a lobby and a front desk. We met because he came into the sports bar where I worked. He was eating wings and drinking beer but I knew it wasn’t really his kind of place. He slipped his number into my checkbook.

He took me to the Seminole Hard Rock Casino. He lost money, I remember. If he’d won, he was supposed to buy me a purse.

When we got home, he started yelling. I wanted to ask, Why don’t I feel real? But instead, I sat there on the edge of the bed and let him yell. It was easier to sit there and take it.

III.

A boy I dated in camp had just moved to California. He was in Anaheim, just around the corner from Disneyland. He didn’t have a car, so I drove the hour south from LA and picked him up from his halfway house. He brought a friend with him so I knew right away it wasn’t a date. He looked so different, anyway. At camp, he had shoulder-length hair that all the girls begged to run their fingers through. But when he opened my passenger door, his head was shaved into a buzz cut.

We drove to an indoor gym with trampolines and bought an hour’s worth of jump time. He was making friends with all the little kids there, helping them flip into the ball pit and running races back and forth along the canvas floor. I was sweating through my t-shirt from all the jumping.

At camp, we’d only kissed in the dark outside of the Great Hall. We’d had the kind of unspoken love that drew us together until he got kicked out for smoking weed. For the rest of the summer, he wrote me letters that I had to hide from the other girls. They thought it was ridiculous to pine for someone who wasn’t even there.

IV.

I met Andrew at a bar on a Tuesday night. Jen got mad at me and left. She didn’t have a car. She had to walk to the closest bus stop and get herself home. I kept texting her but she didn’t answer.

Andrew saw me sulking and took me to the dance floor. I hadn’t even finished my first drink when he asked if I wanted to go home. He meant my apartment up the hill.

It was the first time I had sex that hurt. He was sweating a lot. He was sweating so much his hair was wet. I kept thinking about how I’d need to change my sheets. I wondered if I had enough coins for the laundry. And then his wet hand slid across my back.

I kept texting Jen all night and she didn’t answer. I knew I’d made the wrong choice, but there was no unchoosing.

V.

The last boyfriend I had asked me out by sneaking a note into a pack of Reese’s Cups. I wasn’t in the mood for chocolate, but he kept begging me to open the fridge and have the candy he brought.

I took us out to sushi for dinner, this place in Westwood that looked like somewhere they’d film a movie. It was a two-story restaurant with crystal chandeliers and gold columns. I paid for dinner because I could.

We mostly hung out in Westwood, my neighborhood, my neck of the woods. We saw a lot of movies. We once saw a Kung-Fu movie about a Samurai who leaves home and goes on this long adventure. There’s a love interest, but he leaves her to go find his true purpose.

Halfway through the movie, my boyfriend wanted to leave. We got frozen yogurt and he said it was stupid that I only got mochi in mine. But that was how I wanted it.

When he told me he was moving, as in leaving the state, I gave him a plastic bag of stuff he’d left at my house. It was mostly full of things he could easily replace like a spare toothbrush and some vitamins. I folded up his silver bomber jacket nicely before shoving it into the bag with everything else.

Brittany Ackerman is a writer from Riverdale, New York. She earned her BA in English from Indiana University and an MFA in Creative Writing from Florida Atlantic University. She is a 3x Pushcart Prize Nominee and her work has been featured in Electric Literature, Jewish Book Council, Lit Hub, The Los Angeles Review, No Tokens, Joyland, and more. Her first collection of essays, The Perpetual Motion Machine, was published with Red Hen Press in 2018 and her debut novel, The Brittanys, is out now from Vintage. She lives in Nashville, Tennessee.

Questionnaire for Potential Future Partners by Tharani Balachandran

after Rachel Wiley

Did you cry when you watched The Notebook?
How many women have you believed?
Do you believe that boys will be boys?
When’s the last time you called your mother?
Would you be ashamed if she read your tweets?
How long would you mourn me after I die?
Have you ever had a mullet?
Are you business in front of coworkers and a party at the back of the bar?
How many times in a row do you sneeze?
Do you prefer cats or dogs?
Are you allergic to cats?
On a scale of tolerate to lay down and die, how much do you love cats?

Have you ever ghosted anyone?
Do you continue to haunt them?
If I tell you the thing I’m most ashamed of about myself, will you:
(a) run; (b) bring it up during every argument we have; or (c) love me anyway.
How long can you hold a grudge for?
Will you ever hold our relationship hostage?
Will I be able to afford the ransom?
Do you believe “that a woman’s temple gives her the right to choose?”
Do you listen to Frank Ocean?
Do you listen to the Pacific Ocean?
How did your last relationship end?
How will this one end?

Tharani Balachandran is a first-generation Canadian, lawyer, tea enthusiast, reader of books, lover of gossip, and writer of poems who lives on the traditional territory of the Lekwungen peoples in Victoria, British Columbia.  Her work has appeared in the Racket Journal, Anti-Heroin Chic, Quail Bell and Fine Lines.  She recently self-published her debut chapbook, Love in the Time of Corona.

Duck Girls by Nicole Hart

One Wednesday morning my husband Jerry brushed his teeth and then disappeared. He is still gone. I lay awake in our bed each night, wait for the sound of his keys in the lock, and study his birds. I prefer to keep our bedroom sparse, but Jerry likes whimsy. So I let him line the window sill with these porcelain birds, most of which are white and faceless. Smack dab in the middle of them sits this single brown owl that’s been expertly painted. Its wings are open, its claws are stretched behind a fist-sized body. It watches me with sad eyes when I wake in the morning and before I go to sleep at night. But my husband will return.

When we first married, Jerry wrote me bad poetry and fried spaghetti on a hot plate. He was passionate about grating fresh parmesan. We would lounge on the double bed in our studio and argue about the Iraq war. He was a pacifist and I was not. Still am not.

Later, after our boys were born, we would hire a sitter and walk to this joint downtown called the Duck Inn Bar & Grill. There were ducks everywhere. Wooden mallards lining the bar, duck head handles for the beer taps, and a gigantic sign above the ladies’ restroom that read Duck Girls with an image of a cartoon duck wearing a fuchsia bow around its head. One of the duck’s wings rested on her hip while the other wing rested below her chin as if she was blowing a kiss. Jerry and I got to know the regulars, one of whom was a maudlin 50-something named Cheryl with shaggy blond hair and a long, lean body. Cheryl was always whisper-crying in the bathroom. If one of the guys at the bar wasn’t too drunk to notice, he’d yell Duck Girls! as we walked out of the bathroom together below the sign. Cheryl would turn towards the wall and swipe the mascara from under her eyes with a shaky finger.

Most of the regulars came to the Duck Inn to escape the inevitable boredom of life. They came for conversation, to see something different than the stained beige walls of their ordinary kitchens. Take Cheryl. She spent her days taking care of her frail father. In the mornings, she organized his pills. In the afternoons, she read him the local Phoenix news. And in the evenings, she took a god damn break and drove her rusty pickup to the Duck Inn.

Now that I think about it, Cheryl wasn’t always whisper-crying. Once in a while, Blondie would blast through the speakers and she would dance in circles with her hands in the air, her T-shirt hugging her breasts and waist. One time, Cheryl grabbed the inflatable duck and kissed it long and hard. One way, or another, I’m gonna find ya, I’m gonna getcha getcha getcha getcha, she belted as she smooched that giant plastic thing. My husband stared and stared as she hopped and sang. He couldn’t take his eyes off her.

Nicole Hart is a lawyer living in Westchester, New York with her husband and two children. Her flash and poetry have been published in Bath Flash Fiction, BULL, Flash Flood, JMWW, The Lumiere Review, and Whale Road Review. You can find her on Twitter @nicolehart_blog.

Poetry Is Not About the Price of Gasoline by Amorak Huey

            — according to something I read on the internet

Last week poetry was $3.09 at the Circle K near my house and $3.11 at the Marathon across the street from the Circle K. Plus nine-tenths of a penny, obviously. Poetry is almost always a few cents more at the Marathon, but sometimes I’d rather not make the left turn on my way out, so I pay the extra. Some days are like that, more than one way to where you’re going, but regardless of your path you need a full tank of poems. I don’t know. I could start talking about fossil fuels and how we always burn what we need most, but you know how that would go. I’m just trying to get from here to there. This week poetry is down to $2.99 both places. Still with the nine-tenths. Always with the nine-tenths. Which is the part of the law represented by possession, they suggest. Which is to say this poem is nine-tenths of the way to being yours, with the final tenth of the process being determined by the rest of the laws, the ones written—like poems—out of language and granted meaning by our need to have shared words for how we interact with each other. This is why most people keep their poems buried in tanks under parking lots. I read that if you put 250 baboons on a cross-country flight they would all pretty much kill each other by the time the plane touched down in Los Angeles. Or wherever.

Amorak Huey is author of four books of poems including Dad Jokes from Late in the Patriarchy (Sundress Publications, 2021). Co-founder with Han VanderHart of River River Books, Huey teaches at Bowling Green State University in Ohio.