Divine Creatures and Monsters Alike by M.M. Kaufman

It was a strange time for us all. 

My mother, always a confident woman, acted odd her whole pregnancy. Was nervous from noon to night. My father, a nonstop talker, was silent. And I had what they called “sympathy symptoms.”

When she threw up, I threw up. When she gained weight, I gained weight. When her period stopped, my period stopped. I’d only just gotten it a couple months before. 

We craved the same things. We were repelled by the same things. We refused to touch apples. A whiff of one sent us running to the toilet.

I could feel everything she could in her body. I even knew when it was her time before she did.

When the contractions came, I heard her screams a half second behind my own. I felt the drugs they gave her. I was high in the sky. Like I’d climbed a tree that reached into the clouds. I was watching myself as I lay on the ground. 

I was ripped open when I heard my mother scream. 

What seemed like years later, I woke up. I told my mother if this is what I feel, I couldn’t imagine what she was feeling. She told me not to imagine it at all.

I studied the red, wriggling creature in my mother’s arms. During her whole pregnancy, I never heard my mother or father discuss names. Any name they picked would change the way I looked at the baby. Maybe even how I felt towards him. 

That’s when I asked my parents if I could name my brother. 

They looked at each other in alarm, then at me. Like I was a stray dog that might bite them any second if they made the wrong move. It was no stranger than they acted the whole of that year, so I waited until my mother, then father, gave a small nod.

I wanted him to have a name that marked the beginning of his story, so I asked my mother when she first suspected she was pregnant. She cried, which wasn’t weird after giving birth. But it was weird that my father cried too, cried even harder. 

She spoke more slowly than I’d ever heard in my life, asked if I remembered the day I fell from the top of the apple tree. She said don’t try to remember if I didn’t, but I did. That day we’d learned about Sir Isaac Newton’s laws of motion in school. Important men in history books seemed to have their big ideas alone, so when the school bus dropped me off, before my parents came home, I climbed the tallest tree I could find in the orchard behind our house.

I could never do this when they were home. They never allowed me to go into the old man’s orchard alone, even though he’d encouraged me to come and play in the trees whenever I wanted. Especially if I was bored and alone. 

I sat on the highest branch I could find that day and turned my face to the sun. It worked for sunflowers. I closed my eyes, let the sunshine filter through the tiny veins in my eyelids, and imagined a great red ocean whose depths held kingdoms of new animals to discover. 

An idea was swimming into view, but then a tidal wave came up from the trunk of the tree and shook me loose. As I fell, I dreamed that I not only hit the ground, but sank down into it. The soil folded over me. Sealing me in. 

My mother woke me up with her screaming, held my head in her lap. My father brushed hair and leaves from my face. I touched a hand to my sore abdomen and wondered if I had fallen on my stomach. My father lifted me in his arms and blood ran down my legs.

My body didn’t feel like home after that.

The doctor wrapped my sprained wrist and bandaged my cuts. She took my parents to another room while I was left to my own thoughts on the exam table. 

The only thought I had was that I never got my big important idea. The kind of idea that got its own name—a law of motion, a theory of relativity, a principle of pain, an idea whose name began to answer the question it inspired.

The baby cried. Such a strange sound that made my chest hurt and prickle with sweat. I gazed out of the hospital window into the sun, peering again into my great red ocean. 

I said the first name that fell into my mind. 

We moved after Gravity was born. I’m still trying to have a big idea, but I can’t have them in the orchard anymore. My parents said they’d never liked the old man. It’s time for some space, they said. 

And we had space. From him, from the trees, but also, the natural divide between my mother’s body and my own returned. I felt what I felt now. She felt what she felt. 

I was lonely for a long time.

I didn’t mind the move. There are trees all over the world. Gravity too. Wherever my body goes, there my thoughts go as well, even if there is still an ocean between them.

Sometimes at night when I can’t sleep, and want so badly to talk to someone—but to who, and about what, I don’t know—I close my eyes and hold a flashlight over them. 

I see my great red ocean and imagine myself slipping into the pull of an underwater current. There is still so much to discover there. Divine creatures and monsters alike. I don’t know where it will take me. 

Maybe it’s not a place, but somewhere in time. Sometimes the past pulls at me like seaweed gripping around my ankle, dragging me into a rift in the ocean floor. And if I just look down, look at the face of the sea creature holding me, then some great idea will be illuminated. Maybe.

I turn off the flashlight and open my eyes to my dark bedroom. The present wraps me in a thick blanket of sleep and I am gone. 

The move has been good to us. Instead of an orchard, we have a lake. Weekends I swim and draw every plant and animal I can find. On this new side of the world, my mother smiles, my father talks, my brother is a wonder.

My body is starting to feel like home again.

The baby is walking and climbing and falling down on his own now. Most people call him Gray. But I’ll always call him by the name I gave him. A beginning as strong as the laws of nature. Somewhere to start and somewhere to end all at once.

M.M. Kaufman is a writer based in Georgia. She is a Fulbright Scholar and earned an MFA in the University of New Orleans’ Creative Writing Workshop. She is currently the Managing Editor at Rejection Letters and team member for Micro PodcastHer fiction is published with The Normal School, HobartMetonym JournalSundog Lit, Daily Drunk Mag, (mac)ro(mic), HAD, Olney Magazine, Pine Hills Review, Maudlin House, jmww, Major 7th Magazine, Rejection Letters, JAKEIcebreakers Lit, and Identity Theory. Read more on mmkaufman.com. Find her on Twitter @mm_kaufman, Blue Sky @mmkaufman.bsky.social, Instagram @mmkaufman, or at the carwash.

Breakfast, 3 a.m. by Dawn Macdonald

(In the dream) my mother wasn’t angry and she made a sort
of breakfast out of photographs. I went out through the window
and set my toes to the slope of the roof. The sound of frying
felt at any rate neutral. In the (dream) three bears were accompanied
by a fourth of greater ferocity. In the dream (I) had never known
about shoes. My feet could read and found ways of winding up earth
into sensible chunks, or dollops. No lump could truly be called
identical. The sound of frying was indicative of compression.
A photograph, already flat, flips easily upon the application
of a spatula. My (mother) kept her back turned. To ensure safety,
I used all my senses except for sight.

DAWN MACDONALD lives in Canada’s Yukon Territory, where she grew up without electricity or running water. She won the 2025 Canadian First Book Prize for her poetry collection Northerny (University of Alberta Press).

Gallery by Jane O’Sullivan

Loie Hollowell, Two centimetres dilated, 2023

I’m telling Ben about the heist I read about, how she distracted the security guard while he went upstairs and plucked a painting off the gallery wall. ‘De Kooning!’ I crow. It still thrills me. ‘No one even knew until they died!’

It’s late. Ben watches me from the end of the couch, that pinch to his eyes. ‘Should we call the midwife?’

‘What? No.’ I wave an irritated hand. We have miles to go. Miles. I reach the end of the living room and turn. ‘But I haven’t even told you about the best bit. He—’

‘Slow down.’

‘—Wore a fake moustache. That was it, the whole disguise!’ I keep playing it over, how anyone could just stroll in like that. No real plan, just a dollar-store stick-on and a baggy coat. That’s what I marvel at. How either of them thought it could be alright. But I only manage a few more steps before I’m hissing through my teeth again. The pain is red, orange, magenta, black. Pulling me wide.

Dana Schutz, Breastfeeding, 2015

She was on a plane, long-haul flight somewhere. Her baby was crying so she fed him, like they tell you to do, to calm him. But then she fell asleep. This is what I think about, at three, four, five in the morning, whatever broken time it is, willing myself to stay awake so I don’t suffocate my child and turn into one of those mothers on the news.

The bedroom door creaks and Ben shuffles out to check on me. Also because last week at the clinic, the midwife gave him a pamphlet on postnatal depression. ‘These are the signs,’ she’d said, like she was already thinking about what kind of muffin to get on her break. ‘You should both look out for them.’ And now he is, because he’s like that, and I am pretending I can’t see the doubt in his eyes, the way he studies me. It was his idea, the baby. I thought I could. At least, I told him I could.

The tap runs in the kitchen. Ben sets the glass of water beside me and bends over the back of the couch. His breath is warm on my neck. ‘Look at him,’ he whispers, because love is no problem for him. Love comes easy. ‘Look at his little eyes, rolling back like that. He’s so bloody drunk.’ 

The glass is the only still thing in the painting.

Julie Rrap, SOMOS (Standing On My Own Shoulders), 2024 

Those mothers. The ones who are never on the news. The ones who say, Just heading down the club for a bit, there’s baked beans in the cupboard, and sort your brother while you’re at it. The ones who tell you, Don’t ever get knocked up, worst mistake of my life. The ones who, if you reach for the remote, might suddenly lance their cigarette into the back of your hand. 

‘I don’t know how to do this,’ I tell Ben, our son in my arms. A weight now. A squalling leviathan and he knows. He knows I’m failing him and it breaks me into a million tiny pieces. I do everything I’m meant to. I feed him. I change him. But it’s not enough. And maybe if I’d had a different mother, the love would flow just fine. Maybe it wouldn’t always get so tangled in the constant terror. 

Ben somehow manages to hold us both. ‘But you are,’ he says into my hair, the same thing the midwife taught him to say in the delivery room. ‘You already are. You’re doing it.’ 

Around us, the gallery creaks with other people’s footsteps. The two bronze women rise tall, the one balanced on the other’s shoulders, working together, feeling their way. My son, fifteen now, young leviathan indeed, hunches into his embarrassment. He wants to but he can’t quite face it. These two old women in their nudity.

Grace Cossington Smith, The Window, 1956

‘Oh, I don’t know,’ I say, when my son asks what I see in it all. ‘This and that.’

He’s uncomfortable here. Doesn’t like the quiet, or the feeling that he’s missing something. ‘It’s just a window,’ he says again. ‘I mean it’s pretty, but is that it?’ Like every teenager is always saying. What else is there?

He looks back at the entrance. The crowds drift past on their way to the main exhibition. He wants to be with them, not out here in the wings. No headsets. No trim explanations. I could tell him, Yes, it’s just a window. I could tell him how his father used to plant his hands on my shoulders when he caught me standing there dreaming. How rituals are made, over and over. How eventually I told him I was thinking about my mother and how I was just the same and he said, The fuck you are. Don’t even think it. 

Ben has already found a bench. I watch him across the gallery, squeezing his bad knee. ‘Maybe you could take your dad to the café?’ I say. That is, after all, why the two of them cooked up this plan. The view from the sculpture deck. The pistachio crème brûlées. A nice mother’s day treat. ‘You can get us a good table. Go on, love. I won’t be far behind.’

He is taller than his father now, has the same worry to his eyes, but the uncertainty doesn’t last long. He’s too hungry, for everything. Too eager to see what comes next. He nods at me and goes to collect his father from the bench. And I know exactly how it would feel. A small canvas, maybe. Nothing grand. The tidy weight of it tucked under one arm. The quiet surprise of making it down all those steps and out into the street.

Jane O’Sullivan is an Australian writer. Her art writing appears in Vault, Apollo, Art Monthly, Art Guide and many others. Her fiction has won the Rachel Funari Prize and joanne burns Microlit Award and also been published in Meanjin, Bull, Peatsmoke, Passages North, New Flash Fiction Review, Milk Candy Review and the Spineless Wonders anthologies Pulped Fiction and Play. She lives on Bidjigal and Gadigal Land in Sydney and is online at janeosullivan.com.au and @sightlined.

蝴蝶梦 Butterfly Dream by Emily Anna King

in a dream, i perform the butterfly concerto with the silhouette of a man
familiar, but not yet known.

in a dream, a white rabbit with a mouthful of jade approaches
and asks if i remember the story of how he found the moon.

i only hear the music, and i am swept away.

when zhuangzi dreamed he was a butterfly, did he want to stay?

when he returned, was he fearful of living as the man he is after meeting another world?

was he awestruck by the movement of things, the displacement of consciousness?

this afternoon, i left my keys on the kitchen counter
and forgot my best friend’s address.

pine trees shed their leaves.
wandering off, i followed a trail made of dust and gold.

i opened my arms to a fox made of jewels
and it leaned its chin against my shoulder.

we saw a vision of the sunset reversed;
time continued forward.

i stand before a mirror as mere mortal.
cracks in the wall stretch across yellow paint.

bottles of medicine remain behind cabinets unused,
no elixir, no change.

in the living room, the story of the rabbit recites itself in ink:
selflessness ignited over flame

the rabbit throwing his body forward
the jade emperor disguised as a poor man

rabbit sent to the moon with honor.

in a dream, zhunagzi plays the butterfly concerto
with the silhouette of a woman

familiar, but not yet known.

in a dream, a woman tells him the story of how the rabbit found the moon,
how the fox became jewels, and the woman wrote of a story she is still too young to live—

how the music is the space between sleep and wake, a falling of piano keys, a falling of rain,

like wingbeat after wingbeat generations later,
                                                                                              generations more

Click here to view a pdf of the poem with its original lineation.

EMILY ANNA KING (锡萍芳) completed her MA in Creative Writing at UCC in Ireland and is currently teaching writing at an international high school in Massachusetts. Her debut poetry collection, The Dog with the Flute in its Mouth, was published by Finishing Line Press last fall. 

Bluffs Surround Us by Brett Biebel

We watched the movie in Julie’s basement. Back when she had a mansion. Back before her parents got divorced. The plot was convoluted. The runtime was excessive. They’d filmed it like 20 minutes away in La Crosse, and we recognized about a million Wisconsin landmarks, or I did anyway. I was sitting three feet from the screen. Julie fell asleep on Keith’s lap, and I could hear occasional rustling behind me, Keith moving softly, Keith trying not to make things weird. In the movie, there’s like some kind of minorly mutated flu virus, and a bunch of old people refuse a vaccine. What happens is they die. They die, and they do so in enough numbers to constitute like twelve percent of the difference in a real close presidential election that swings to the Democrat, and there are media stories. Academic studies. Outsiders flood this town, and a bunch of kids like us get together and use rose petals to write “STAY STRONG” in front of every single former home of a now dead voter. The roses look all bloody on top of the snow. It’s hard to tell if the movie switches to black and white or if everything’s just so grey that it’s all indistinguishable. I caught Keith in the glare. He was scrunched way to the side of the sofa, Julie snoring away with her hair rolling over his legs.

“I figured you were having some kind of boner situation,” I said, on the way home.

“I was trying to like move her head real gentle on account of I didn’t want her to wake up. It wasn’t supposed to be creepy at all. And then like two clumps of her hair came out in my hand, and I kept daydreaming she had cancer.”

“Fuck,” I said, looking at him. Not wanting it to be true. But also imagining if it were. Watching Keith do the same.

“I’m not good with sickness,” he said, and I told him how the thing about cancer was that people who had it didn’t want to think about it, and you could do a lot by mostly ignoring it. Mostly waiting, which was all we could do. We waited for Julie to show up bald or dead, but the closest we got were wigs. I liked the blonde one. Platinum with bangs and cut tight shoulder-length. Keith was into the same style, only he preferred it jet black. Nobody else seemed to have an opinion. Julie’d walk by, and the hall would kind of tense up, and Keith would give her his math homework. Statistics, it was. I didn’t have much to offer until Julie started sleeping at her mom’s new place. Maxine’s. It was a lot smaller. Two blocks from the high school. We got invited over more often. We invited ourselves. Julie laughed louder. The movies got lighter. We tried to play games. Sometimes, Keith had an early curfew, and before he left, he’d look at me, kind of ambivalent, kind of asking.

“Gonna catch a ride with someone else,” I’d say, and he’d nod and shut the front door real quiet. One time I stayed until 2AM, and we watched music videos while Julie played with her bangs. We talked about the bands you play when no one’s awake to hear and she told me not to tell Keith how late I stayed, “Not because anything happened, but he’s probably not ready to hear it.”

“Okay,” I said, and I never told Keith. Even though I wanted to. Too scared he’d see right through me. 

Julie lost weight, then she put it back on. We didn’t know if she was getting better. Time was passing. It was senior year. Winter. Some weekends she’d spend at her dad’s place, and Keith and I would drive by. Julie drove this yellow Jeep, and sometimes it would be parked there. Sometimes not. Sometimes there was music. Sometimes not. On one of the quiet nights, Keith kept driving in circles. We couldn’t see the Jeep.

“Didn’t you say she’d be here?” said Keith.

I shrugged. “I don’t remember what I said.”

Keith pulled over. The mansion was behind us, built into a bluff. Somewhere below was the river. We couldn’t see it in the dark. “Listen,” he said, “If you want me to, like, stop, you just need to say so, okay?”

“I don’t know what you mean,” I said. I looked at the house and thought about movies and basements and the way people fall asleep.

“Like.” Keith drummed on the dash. “I’m just trying to make her feel better, I guess, is what I’m saying. If it makes you feel weird or whatever. That’s all.”

“I don’t feel weird,” I said.

He nodded a little. I nodded back. He put the car in drive, and we wheeled around town for a while. Stopped at the Hy-Vee. Keith grabbed some roses, and I did too, and we found the Jeep parked outside Maxine’s. The lights inside the house were on. Julie was talking to her mom in the kitchen. Her hair was short and a little patchy.

She didn’t see us write “STAY STRONG” in rose petals on her lawn, but, on Monday, at school, Julie shrieked and hugged the two of us, hugged us like the ship was sinking and here were two logs in a broken life raft, and she went to prom with Keith. He said nothing ever happened, “nothing except some cloudy intense shit I don’t even understand,” but I didn’t know if I should believe him. I didn’t know how much I cared.

But that night with the roses, the moon was on us. We fought a little over the last petal or two, Keith in front of me, me in front of Keith. Laughing. Joking. Then Keith drove us away. Keith was more confident. Keith always drove. And the whole way back to mine we talked about last summer. About this uniform they made Julie wear at the drive-in, this knock-off nostalgia place where the high school girls put on roller skates and shorts that were too long to be sexy and too short to be chaste, and we let that image hang there, whispering. No music. No more talking. The bluffs cast frozen shadows, and the purity of our intentions sat there between us. Its levels were static and jumpy, all of them muddled as leaves beneath the reddened snow.

Brett Biebel is the author of three collections of flash fiction, 48 Blitz, Winter Dance Party, and Gridlock; and A Mason & Dixon Companion. His work has appeared in many magazines and been selected for Best Small Fictions and Best Microfiction. He lives, writes, and teaches in Illinois.

Leaving the Wedding in a Fever by Cassandra Whitaker

Streets cobbled together from where? Rooftops leaning
from where earth grew its longing toward sea
winding –drunk—all the way up the mountain’s snake
The streets open up closer to sea—which is a dime
to enter and bathe—noisy of gulls—children–sweets gobbled up
in the ocean’s insistent i am god i am god i am god i am
I find myself in the sink with a threat to my temple
—forgiveness discovers I am only an old woman
My feet carry me out of danger into danger—
I remember —I know no one My name tells me
no one will believe me—there is nothing to believe
but the sky’s own tellings– I have learned all the wrong lessons
Here comes a bender again- a sack over my head
All leaning roofs lead inward There is only one way

CASSANDRA WHITAKER (she/they) is a trans writer living in rural Virginia. Whit’s work has been published in Michigan Quarterly Review, Gulf Coast, Conjunctions, The Mississippi Review, and other places. Wolf Devouring A Wolf Devouring A Wolf is forthcoming from Jackleg Press in 2025. They are a member of the National Book Critics Circle. Wolfs-den.page

Two Stories by Linda Drach

TRAVEL & LEISURE

I’d see them in the cardiology waiting room. Not every time, but often. The man, shuffling behind an aluminum walker, his right foot dragging; the woman, slowing her gait to keep pace. Always, her hand rested lightly on his bicep. That was completely unnecessary. A gesture of tenderness, I guess. He looked like my second husband. She looked like the Starbucks barista my husband shacked up with before divorcing me. I’d stare at them until the woman felt me looking and glanced over to where I’d parked myself near the giant aquarium so I could reap the calming benefits of fish swishing. My eyes were flamethrowers that singed her bangs, burned through her skull, and incinerated the smoking cessation poster that hung on the wall behind her. Satisfied, I’d pretend to turn back to Travel & Leisure or Yacht World. 

That was before my doctor shunted me off to hospice.

It was strange. I hated that waiting room. But when the couple appeared I forgot that I was waiting. Suddenly, I had energy and a sense of control, whereas just moments before, I’d had neither. I liked sketching in the details of their lives, imagining the bank statements and what was parked in the driveway. I liked thinking about her slutty lingerie, long abandoned, the elastic going slack in a bottom dresser drawer. I liked thinking about her bitching to her friends over too many glasses of Sauvignon Blanc about the pill bottles crowding her quartz countertops. About the long, tedious nights building puzzles instead of fucking. 

Those were good afternoons for me.

It’s been months since I was there. But sometimes, as I’m staring down the teddy bear the volunteers insist on staging at the foot of my bed, I think of that couple. I wonder if he’s in a wheelchair now. I wonder if she’s gotten fat. I hope she’s gotten fat. These daydreams are necessary; they counteract all this false cheer. I heard one of the nurses talking about me, the only thing keeping that one alive is spite. I’m still listening for rubber wheels rolling down the hallway. To feel a little surge.

THE FARM

Pat calls on a Monday night to tell me my nephew – his son – is dead. 

He never says dead. He says Joel is gone. But I know what he means right away, like I knew when our mom told us Sparky or Boo or Snowflake went to the farm, so they could run freely instead of eking out their short doggy lives in our cramped backyard. 

Gone. That’s all he says. That’s all he can say. 

When I get to the ER, Pat is slumped on a vinyl couch, yowling through clenched fists, like a cat with its tail stuck in a slammed door. The chaplain patting his back looks glad to see me. Five bug-eyed youth silently circle the room, like a school of guppies – stoic little fish, who spend their short lives sucking lines of shit off the bottom of their tank and then spitting them out to try again. Relentless in their efforts to find something delicious. Each time, it’s shit. These are Joel’s 12-Step friends. His goddamn friends, who watched him die.

It’s time to see Joel, but Pat says he can’t – he doesn’t want to see him this way, which is dead. When we were kids, I always took care of the lesser burials. Dozens of goldfish, two turtles, three lizards, and a chinchilla. A grim menagerie interred in our mother’s garden, near the concrete statue of Mother Mary. Our household was rough on living things. This is why I never had children. 

The chaplain leads me through a set of double doors, and there’s Joel, wearing the same flannel shirt he was wearing on Saturday. Our boy needs a haircut. His copper locks, the same shade as mine, are shaggy at his neck and fall haphazardly across the petals of his cheeks. His hand is still warm – only a little bit cooler than my brother’s. Where are you, Joel? I whisper in his ear. The chaplain fidgets. He’s certain Joel is strolling through God’s cosmic vivarium. I shoot him a look and he leaves us alone. Can he tell how much I hate him right now? He knows my type. A lapsed Whatever, with my poems and pop songs and coffee can ashes, making half-assed attempts at the everlasting – when what I want is the farm. 

I tell Joel if believing made it so, I’d make myself believe it. I’d send you to a party that goes on forever and never gets out of hand. Where you could play three-handed pinochle with your mother and grandfather and share a bottle of magic bourbon. The kind that won’t lead to black eyes or scarred livers. I’d make sure you’re happy. That you know you’re enough. I’m crying now, with my head on his chest. Bawling, really, like a motherless calf. I picture the floribunda roses framing my mother’s backyard shrine. Vivid red. Heavenly scent. Climbing the chain link, spilling over in its vigor. Back every year, despite our neglect.

Linda Drach is a poet and writer, public health program manager, and volunteer writing group facilitator for the nonprofit Write Around Portland. Her writing has been published in The Bellingham Review, Cagibi, CALYX, Cathexis Northwest, The Timberline Review, and elsewhere. She studies and teaches at The Writers Studio.

Double Dutch by Jasmine Khaliq

It sounds like gibberish, I said. It’s Double Dutch,
they said, and their grandma invented it.

A boy my age, a girl my sister’s. I wasn’t sure;
they lied about plenty—they were royalty

on a faraway island, their father was an astronaut,
their names were not their real names.

But the language I could hear was real as any.
Pattern I could attain. If I listened closely. If

I really tried. A lot of B’s, a lot of I’s. In his voice
my own name like an alien’s. I surprised them

after two weeks, sauntered into conversation
leaning blasé against their house, air

hot as any Western midday, mid-July.
A door unbolted. Talking in plain sight.

Selves and syllables doubling.
Secret language with the boy

across the street. We talked
about everything, nothing.

I wish I had a dog.
My dad is going to Mars.

They fought last night. I don’t want school to begin—

Anything. Just to speak.

We had never been so close
and we would never be so close again.

The differences between our lives closing
soon over our heads. Jordan’s rabbit died.

Summer is coming to an end.
What’s your favorite color, again?

Jasmine Khaliq is a Pakistani Mexican American poet born and raised in Northern California. Her work is found in Poetry Northwest, Poet Lore, The Rumpus, Bennington Review, Best New Poets 2023, and elsewhere. She holds an MFA from University of Washington, Seattle. Currently, Jasmine is a Ph.D. student at the University of Utah. She can be found at jasminekhaliq.com.

A Reading List for the End of the World by Julia Rose Greider

Robin and I are coping well with the end of the world, by which I mean we usually wake up by eleven and agree that eleven is not bad at all. We start our day with reading: Robin prefers Plato, while I prefer Garfield. My love, ever the philosophy major, has drawn up a list of essential texts and downloaded as many as our laptops can hold, since the Internet will go out any day now. We argued for weeks over whether Garfield deserved to survive the apocalypse. Robin said everyone would hate a fat cat when they were starving, and I retorted that wrestling with Plato would burn too many calories. Eventually I pointed out that matters would likely snowball too fast anyway for starvation to be our cause of death, and if Robin wanted me to be bearable to live with until the end came in whatever way it did, they’d better stockpile some Garfield. They’ve never been able to resist me.

Once we’ve read our fill, it’s time for a late lunch. Robin insists that we discuss our respective literatures to keep our minds agile. They say we’ll need our problem-solving abilities when things get worse. This is another reason they resent my Garfield: they say it does not stimulate the brain. But I point out that, unlike Plato, Garfield is very good at procuring sustenance. While Robin descends into the cellar to make a selection from our menu of freeze-dried camping food, I go out to the yard and look up. Each day it becomes more difficult to breathe. The sky toys with the hues of an oil spill, sometimes green, or yellow, or purple. Most of the time, though, we are cloaked in a grayish-brown that shimmers vaguely, like some vengeful god changed his desktop to a color named death.

We force down our reconstituted pad thai or bun-less lentil sloppy joes or scrambled eggs which, in their freeze-dried form, are crispy like chips. For now we’re still vegetarians, but the vegetarian meals down in the cellar are getting low, and pretty soon we’ll be reverting to a more primitive carnivorous state. The idea makes Robin anxious, even though I point out that the animals we’ll be eating have already been dead and bagged for years.

After lunch, we have our nature walk. If I were in charge, I would probably take a nap instead. Doom’s approach makes me snoozy. But Robin says we have a responsibility to exist in the world while it lasts. I slip my hand into theirs, and they lead me into the woods and make me look at things. They make me look at trees and mushrooms and birds (if we’re lucky), and they call them immense rough-skinned intelligences and fleshy fruiting bodies of fungi and the ones who could still escape if there was anywhere to go. They exhort me to fix the images in my mind, and I say what good will it do for a dying beast to remember other dying beasts?

But I only say this in my head, otherwise it makes Robin pull their hand away and pat at their eyes. Robin still finds hope useful, and I try to be sympathetic.

The woods are quiet these days. When we stand still, my ears feel the fuzzy silence of earplugs, like there might be something to hear if only I could take them out. But I can’t. So we don’t stand still very often; instead, we create the illusion of life by cracking twigs under our feet. Today I nearly step on something else: a matchbook. Robin bends to pick it up. The cardboard, still dry, bears the unfamiliar insignia of a bar called Dante’s. Someone has been burning the matches; only two are left. Robin says, Who—? And I say, Don’t think about it. Robin stares at the packet in their palm, and by the time I lead us home, it’s nearly dark. The sun doesn’t set because it’s never there to begin with. The pall just dims and dims.

After dinner, Robin usually tries for something more contemporary: Hegel or Nietzsche, or Foucault if they’re feeling cheeky. But tonight they make me sit while they read Mencius aloud, and for a few minutes I admire the length of their fingers absentmindedly turning the matchbook over and over. They’re looking for answers, but I already have mine. So I excuse myself to the bathroom. They think I have a weak stomach, that the camping food doesn’t agree with me. I let them think this even though it isn’t particularly flattering. In the bathroom, I sit with my back against the tub and grope around in the depths of the cabinet under the sink. From beneath the rolls of toilet paper, I pull out a stack of small square pages that I ripped off years ago from a cartoon-a-day calendar. If we’re still alive when the toilet paper runs out, these pages will see things they never asked to see. But for now, I peruse a few of the cartoons every night. Sometimes I find one that makes me laugh even though it never did before. People used to get that worked up over a family dinner? A fender bender? A fractious boss? Ha-ha. The days are hopelessly out of order, and I never bother rearranging them.

Robin and I go to bed early. I fit myself against the soft curve of their back and nestle my nose into their neck, where the musk of wheat and lilies soothes me just the same as it did when our ends were not so imminent.

In the darkest part of the night, I wake. Robin is sitting up. They’ve lit one of the matches, and it blazes towards their fingertips. Their face is shining with silent tears. Mencius, they say, believed in the fundamental goodness of humans. Shouldn’t we be struggling towards survival like the products of evolution that we are? Shouldn’t we be devoting our time to useful pursuits, figuring out how to hunt and forage and make fire?

I hold my breath as the flame gobbles its own lifeblood. For months this question has hovered between us unspoken. Robin has tried to ask it before, and I’ve stopped them with kisses, eaten the words out of their mouth. Yes, my sage, I want to say. You and I will be the library, and the library must go on.

Just before the flame blisters their fingers, Robin extinguishes it with one sharp hiss of breath. Into the black silence, against the blue memory of fire that twitches before my eyes, I find I can only speak the truth.

I fumble the matchbook out of Robin’s hand and rip off the last match. I fold the book around the nubby tip; from it, I pull a conflagration. And to Robin’s question, I say no. Because survival—isn’t that how we got here in the first place?

Julia Rose Greider lives in New Hampshire and works in Vermont as a public librarian. Her fiction has been published in Nat. Brut, West Trade Review, and CALYX Journal, and she is an alum of the Kenyon Review Writers Workshop.

Bikini Atoll by Rowan Pollard

A wild driver, her feather coat flying in the wind,
Cadillac convertible southwards out of town but again
I found her half-sunken into the reservoir.
I’ve had enough, she said, I’ve done everything twice.
I’ve been a storm chaser, I shot Kennedy, twelve years
I spent in Vegas drinking gold and winning. My
velvet’s all worn out and I’m stuck here and I can’t
remember my own name.
I made one up for her, something American, Arizona
Castle, Georgia Crossroads, Mississippi Bravo.
I entertained her for a while until the shock wore off,
and once home a hurricane stuck the tower block and kept us
stuck. Some days, I was sick of tracing a trail of ash. I was sick
of extravagance. Where were my pearls to swallow? My
untruthful movie star carpets and gunshot near-misses?
I didn’t miss a word of lies but I got sick anyway.
Last night, under the low moon, I said I loved her. She told me
I like Mississippi best. Like the river always moving through the land.
The dam burst that morning, and I looked for her in the clear
dull water. I thought I’d find some goodbye note and
more, but beside our front door was her feather coat like a snakeskin.
The Cadillac drove toward the sun.
Mississippi, bravo.

Rowan Pollard is a writer and poet living in a nowhere town somewhere in the UK. He has been published in Apocalypse Confidential.