1976
That Bicentennial summer everyone talks about tennis, desperate to be pretty Chrissy Evert, thwacking balls into meteors. We’re tired of being Iowa girls. But tennis rackets cost real money, meaning of us five, only Janelle’s got a racket because she’s got one of everything. Still, no one plays tennis, so Janelle can’t much lord her fancy Head racket over us. Boy, that makes me secretly happy.
Suzanne and Tracy find a ratty badminton set in their garage, so we agree being Chrissy Evert with badminton rackets counts. One problem solved but there’s another: four rackets, five girls. They had been an easy four until my mom, her boyfriend, and I moved into the neighborhood in March—as Janelle reminds us while we rock-paper-scissors to see who plays and who’s stuck being line judge. It’s Donna, the nicest and fairest. “You’re swapping with Donna first,” Janelle tells me. “That’s the rule for new girls.”
Suzanne and Tracy’s dad sets up the net: no wobbling. We’re in the front yard because the back’s a hill, only good for sledding. Where I lived before was flat and concrete and no yards and no kids. I didn’t know not to like it. “Ew,” Janelle said.
Playing out front will be exposed, with cars passing, strangers eyeing us swat the birdie like it’s a fly in the kitchen, belly-laughing as we leap and miss, crashing into the scratchy crabgrass. I hate people watching, can’t stand people knowing things about me. “New girl’s got a secret,” Janelle told the others yesterday, smack in front of me.
Suzanne and Tracy team up, leaving me with Janelle. She tugs the top off a dandelion. “Fine,” she says to no one, tossing away the yellow flower. “Fine,” I say right back. The thing is, I might actually be good at badminton. Keefer, our cranky gym teacher, liked me best of the sixth grade girls because I can run forever. “This girl,” Keefer said on the last day of school, handing me the highest presidential fitness certificate with the biggest, goldest seal.
Janelle’s terrible at badminton but criticizes me left and right. I’m in her way, she complains, or she shouts, “Stop your dumb, weird breathing.” I whack my racket hard, making air whistle between the strings. Suzanne’s good, and we whoosh the birdie between us.
Then Janelle pushes in front of me so I can’t swing without hitting her, meaning Suzanne wins the point as the birdie arrows feathers-up into the grass. She and Tracy high-five. “You’re hogging,” Janelle says.
“That doesn’t count.” I don’t know why I say that because I don’t care.
“Ask the line judge,” Janelle says.
“You guys,” Donna says.
Janelle arcs her racket through empty space, and I step back. She might never like me, even if I wait forever. We’re not moving back, and those old friends are gone. “No way,” my mom says. Her creepy boyfriend has his important new job. I hate him.
Right then, a station wagon with wood paneling pulls curb-close, and a woman wearing too-big sunglasses rolls down the window and calls, “Can one of you girls pretty-please help me for a sec?” A checkered scarf covers her hair, is knotted tight at her throat. Like she’s the wolf waiting in Little Red Riding Hood’s grandmother’s bed.
Suzanne and Tracy stare at the grass. Donna’s face reddens. Only Janelle watches me, a strange, hard, unfriendly smile distorting her face. Like a painted clown who’s not funny. Like she wants me to cry. Like she knows what happened in my old neighborhood though I’ve told no one.
I remind myself to breathe, because Stranger Danger is the scary man with handfuls of candy. He’s a troll, an ogre, the witch in the forest. He’s not real. This is a lady like our moms driving a car with a bicentennial license plate from Michigan.
My own mother worries about strange men, about boys demanding to see my underwear, about the priest. “Tell me if anything happens,” she says, “promise.” I promise. But when it did, I didn’t know any words she wanted to hear. Like, what if he’s not a stranger?
Janelle points at me. “Go see what she wants. You’re the new girl.”
“Are you afraid?” I ask.
“Never.” She tosses her racket way high in the sky and starts sauntering toward the car even before the racket crashes to the ground.
It’s not a game. I despise Janelle, but it’s not like I truly want her to disappear. I pick up her racket, curving my fingers into the grip, touching the warm, worn leather where Janelle’s fingers were.
“Wait,” Donna says, not to Janelle but to me.
Suzanne and Tracy poke their fingertips against the taut strings of their rackets, maybe testing them. What if no one likes Janelle? Maybe the rule’s that the new girl says it. Say it, I think. Give them what they want and they’ll like you.
I say, “Let her go. She’s fine.”
We watch Janelle talk to the woman then slide into the front seat of the car. The door slams, and the car drives off. “She didn’t even wave goodbye,” Tracy says.
“How come dumb Iowa doesn’t have special red, white, and blue license plates for the Bicentennial?” Suzanne asks.
“Great question,” Donna says.
So we four wonder about that for a while, and other stuff, until our mothers call us in for dinner, Janelle’s mother’s voice coming hoarse and wretched through the screened window of my bedroom late into the night.
Leslie Pietrzyk’s collection of linked stories set in Washington, D.C., Admit This to No One, was published in 2021 by Unnamed Press. Her first collection of stories, This Angel on My Chest, won the 2015 Drue Heinz Literature Prize. Short fiction and essays have appeared in Ploughshares, Story Magazine, Southern Review, Iowa Review, The Sun, and Cincinnati Review, among others. Her awards include a Pushcart Prize in 2020.