13.1 Septillion Pounds by Emily Rinkema

To help her sleep, we give the baby a basketball, a full-size regulation ball that my husband, CT, puts in her crib one night. He writes her name on it with a black Sharpie, bold letters like they would appear on a jersey.

“Ten months is a little young,” I say.

“Never too early for our little athlete,” he says. CT played college ball for a season until he blew out his knee. The first thing he said when he held her was that she was the longest baby he’d ever seen. She came home from the hospital in a UCONN onesie.

When I check on her before I go to bed, she’s still awake with one tiny hand on the ball. She’s never been a good sleeper, but the last month has been significantly worse. She just stares at the slowly spinning mobile of the galaxy above her head, sometimes reaches for it with her fists. I kiss her on the forehead and whisper that the basketball is like the earth. A little poet is never too young for simile. 

In the morning, CT makes us coffee while I go get the baby. She’s asleep. The basketball is on the floor under the crib and the Sharpie is clutched in her hand. I turn on the light.

The walls are covered with math. Math formulas and numbers and equations and graphs and angles and shapes and arrows that direct us from next to the crib to above the changing table to the closet door to behind the rocker and under the window and then back to the crib. 

“Oh, fuck,” says CT, handing me a mug of coffee.

“Language,” I whisper.

“But,” he says, looking around.

“Yeah, fuck,” I say.

CT calls a mathematician while I try to feed the baby, but she wants nothing to do with the Cheerios or blueberries I put in front of her. She just bangs her spoon on the table. She’s got dark circles under her eyes and it’s like looking in a mirror. I can’t remember the last time I’ve slept through the night.

“We did this,” I say to CT, who is now Googling “baby math.” 

“Did what?” He asks.

“Stressed her out,” I say.

“Maybe it’s just math,” he says, putting some pumpkin puree down in front of the baby. “Maybe it’s nothing.” 

I spoon out some puree and bring it towards her, but she just clamps her mouth shut and grabs the spoon. I call my mom and ask if she can come over for a bit.

My mother agrees to take the baby to the park while we meet with the mathematicians. The park’s only a few blocks away, but with all the gear, I suggest she takes the car. On her way out the door, baby on one hip, car seat hooked over her elbow, she raises her eyebrows at me and says, “I told you she was gifted.” She kisses the baby on the top of her head and coos, “Gramma’s little genius.”

Two mathematicians arrive a few minutes later. They are younger than I expected. One is wearing a sweater vest. They both have glasses and are carrying briefcases. The men stand in the middle of the nursery and turn slowly from wall to wall to wall. The taller of the two men takes off his glasses and cleans them. He puts them back on. He opens his briefcase, takes out a notebook, and writes something down. He closes his notebook.

“Well?” asks CT, sitting down in the rocker. 

“Wow,” says the shorter man. “Amazing, really,” he says, taking a deep breath. He points at the wall under the crib. “She starts by calculating the weight of the earth,” he says.

“She’s a baby,” says CT.

“That’s pretty simple math, actually,” the mathematician says, “She just needs the weight of any sphere,” he points at the basketball, “and then she can plug it into Newton’s formula for universal gravitational attraction.” 

The taller man interrupts. “It gets much more sophisticated over here,” he says, pointing to the left of the closet. He bounces a bit on his toes.  “It looks like she’s using semi-parametric predictive modeling to determine existential risk.” He leans towards the wall and squints. He wipes his hands on his pants. He looks at the shorter man and shakes his head. 

 “Wait,” the shorter man says, “Is that strategy optimization for carbon reduction at the bottom of the door?” 

I stare at him, waiting for something I understand, a word, a phrase, a gesture. CT puts his head in his hands. “I have no idea what’s happening,” he says.

“I think she’s looking for a solution,” the tall man says, and when we don’t respond, he says, as if we’re children, “To climate change.”

“But,” I say, and I don’t know what comes after that. I don’t even know what to ask. I think of everything we’ve ever said in front of her, thinking she couldn’t understand. We watch the news during playtime. We listen to NPR in the car. We fight about solar panels and electric cars and how much meat to eat. When I was pregnant, we even fought about whether it was responsible to bring a baby into this world. Did she hear all that? Did she feel it?

CT stands up. “This is fucking ridiculous,” he says. He’s the one who suggested Meatless Mondays. He’s the one who wants a Prius. He’s the one who thought we should skip flying to see his parents this year so we could afford panels on our roof. 

“Wait,” the shorter man says, and looks at his partner for confirmation. He points to the right of the door. “There. Is she using partial differential equations to see if…” and then he stops, squatting in front of the wall nearest the crib. He shakes his head. The taller man keeps putting his hands in his pockets and taking them out again. “It looks like she gave up.” He’s tapping the wall where our baby scribbled with the Sharpie, age appropriate markings that in another world could have been made with crayon or finger paint. “She gave up,” he repeats. 

“She’s a fucking baby,” CT says, and his voice cracks. “A fucking baby.”

“I just want her to be happy,” I say.  “I just want her to write poetry,” I say. CT pulls me into a hug. “Or play basketball,” I say into his neck.

“She can be a poet-athlete,” he says, and we both start to cry.

I check on the baby before I go to bed. Her room still smells of fresh paint, a new color CT picked up at the hardware store after the mathematicians left this morning. Butter yellow to match the stuffed duck he bought on his way home. While the baby napped this afternoon, I took down the universe mobile and replaced it with the one his sister bought us for the baby shower–green giraffes and purple hippos–and CT painted over the math. We’d thought about keeping it, but decided it was all just too heavy for a baby.

“It’s a clean slate,” he’d said when he finished.

The baby is awake and content. She moves her hands in front of her face as if she’s in awe of them, as if she’s still working out whose they are. It’s the way she used to look at me. 

“It’s a blank page,” I whisper to her now, and kiss her on the forehead. And before I leave, I tuck a Sharpie into the corner of her crib, just in case.

Emily Rinkema lives and writes in northern Vermont, USA. Her writing has recently appeared in SmokeLong Quarterly, X-R-A-Y Lit, Variant Lit, and Flash Frog, and she has stories in the Best American Nonrequired Reading, Bath Flash, and Oxford Flash anthologies. She won the 2024 Cambridge Prize and the 2024 Lascaux Prize for flash fiction. You can read her work on her website (https://emilyrinkema.wixsite.com/my-site) or follow her on X, BS, or IG (@emilyrinkema).

All the Friends I Could Have Made are Having Fun Without Me by Mackenzie McGee

Alexis throws a big party and everyone’s invited. She lives a half-hour drive from her childhood home, the one with the big bay window and the basement where we had sleepovers every other weekend for most of high school. 

I imagine she’s done well for herself. Her new townhome is in the affluent suburb that kids in our marginally less affluent suburb used to mock. Her Instagram is all pictures of her rescue corgi. Her Facebook is all tagged photos of her at friends’ weddings and thirtieth birthdays, but she’s not thinking about any of them right now. Tonight, she’s fifteen again, and she’s worried I won’t show.

It’s a cool summer evening in Minnesota. From the street I can see the glow of the string lights crisscrossing her treeless backyard. Citronella wafts through the air. I imagine there are two coolers on the concrete patio. The one on the right is stocked with beer and sparkling water. The one on the left is full of Monster Energy Drinks, the Zero Ultra flavor we were obsessed with in tenth grade. Alexis used to buy them two-for-three on her way to our 7 a.m. social studies class. She’s wearing a bracelet made from the can tabs we saved.

Teo’s the first guest to arrive. He pedals down the sidewalk on his childhood mountain bike. I crouch in my car when he passes by. Alexis notices the Jersey in his accent. She asks him, as she will ask everyone, how he knows me. 

He says we met Thanksgiving weekend twenty-five years ago, oh, maybe twenty-two. I was in town visiting my cousins. We were playing basketball in the driveway when he rode up and asked if we wanted to play Nintendo. I loved Nintendo and I hated my cousins, but they were older than me, and they hated Teo. They said he was weird, and when I asked why, they said I was weird too. I’d heard this before. I thought if I could make them like me then it wouldn’t be true.

Michaela comes in as Teo’s finishing his story. She carries her sharpie-covered JanSport on one shoulder, all cool and casual. She shrugs it off to dig for the mix CD she burned for the evening. 

Michaela and I—we shared a cabin at summer camp. We bonded over emo music and the art of tie-dye. We exchanged numbers. She called my house twice that August. I let the phone ring as I tried and failed to conjure a voice full of carefree enthusiasm, the self I could be away from myself. She couldn’t know that the real me was awkward and uncertain, that camp-me was a façade. This was years before I knew to call it fear, not fraud. Michaela left a couple of voicemails. She shrugs like, what are you gonna do?

Alexis nods. That is so like me.

The fashionably late arrive in clusters. Coworkers from my first full-time job sit on the kitchen counter sipping PBRs. Some of my sisters’ friends make friends with my brothers’ friends and share the wisdom I was too awkward to ask for: how to print in pretty bubble letters; how to tell when someone like-likes you, how to tell when someone likes you at all. 

The nice busboy from my short-lived waitressing career is using chunks of cheese to teach Alexis’ corgi to sit. He tells her about the time I got awful hives from the wool scarf I wore to work. He brought Benadryl, just in case. He asks if I RVSPed. Alexis lies and says I texted her to say I’m running late. She doesn’t want people to give up on me just yet.

The biochem TA offers charcuterie to the cute librarian who works the closing shift. The rec league volleyball team I quit after two practices arrives in two consecutive carpools. They dance ironically, and then, a few drinks in, it’s not ironic anymore.

And then they hear it: the drumline’s cadence, the drum major’s whistle. The crowd flows into the front yard to see my high school marching band chair-stepping up the street. Their teenage bodies carry the muscle memory of these instruments, and some of them are really, really good. Someone jumps on the upright piano and leads the living room in a singalong of “Don’t Stop Believing.” The party is in full swing. All that’s missing is me.

I’m still outside, sure I’m about to go home but not ready to admit it yet. I’ll wait in my car five more minutes, and then I’ll go in. I’ll walk through the front door and everyone will cheer, like I’m a fan favorite in a sitcom. There’ll be a big sheet cake decorated with loopy icing in the shape of my name. Everyone will want to know what I’ve been up to, how I’ve been. No one will be mad at me for not calling or texting them back.

I have a minute left when Alexis steps into the front yard, carrying a corner slice of cake on a paper plate. I watch over the steering wheel as she tiptoes between the instruments scattered on the grass. She finds a clear spot to sit cross-legged with the plate in her lap. She looks down the street, down the way I came, and waits for me.

We had every one of our sleepovers at her place, every other weekend for about three years. Then one day, we didn’t. A month went by, and then another. Growing up I often felt, sometimes I still feel, there had been a lesson in kindergarten about how to be a person in the world on a day that I, and only I, had missed. I had wanted to invite Alexis over and return the favor. For a long time, I didn’t know how.

Now everyone inside is getting to know each other and having a good time. Alexis should be inside having a good time. Someone should ask her how she knows me. She was kind enough to host, after all.

I shut the car door behind me. Alexis’ ponytail whips around at the sound. She waves me over and says she’s so glad I’m here, even if the part of the party that was for me is over. The cake has been cut; the end time on the invitation has come and gone. The music is louder than ever. Colored lights flash in the windows. That party, she says, has taken on a life of its own.

She doesn’t ask me to go inside. We sit in the grass and split the slice, taking turns taking bites. The can tab bracelet shushes softly on her wrist. It’s just how I remember it—two of the tabs face the wrong way, their silver underbellies exposed. We watch as guests slowly trickle home in new configurations of designated drivers and rideshares. For each one she says, look. They came here for you. Isn’t that nice? Everyone together, here tonight, and it’s all because of you.

Mackenzie McGee is a winner of the 2021 Pen/Dau Short Story Prize for Emerging Writers. Her fiction can be found in Nat. Brut, Alaska Quarterly Review, Cease, Cows, and elsewhere. She earned her MFA from the University of Arkansas, and she’s currently pursuing a PhD at the University of Kansas.

98. by Jordyn Damato

  1. There’s something wrong with my head
  2. It’s not a bump
  3. I wish it was a bump
  4. Even if it was a gross, protruding bump that made people afraid to look at me 
  5. I could handle that 
  6. I would dress it up—draw a face on it or something. I don’t know. 
  7. Make it pretty. 
  8. I can’t make the inside pretty. 
  9. I wish I could but
  10. I can’t 
  11. These are some thoughts that infect me 
  12.  Scream right now. Right now. Do it. 
  13.  Flip the table. Now. Flip it or hold your breath until you pass out. 
  14.  Hold your breath until you pass out. Do it. 
  15. I do it. 
  16. I have to do it. 
  17. Scream, pass out, flip things. 
  18. If I don’t, I will die. 
  19. If I don’t, my whole family will die. 
  20. My family is small and not very nice to me but I still don’t want to see them die. 
  21. I saw my twin brother die
  22. When we were kids 
  23. I was not a fan. 
  24. I doubt he was, either. 
  25. Or maybe he was. 
  26. He doesn’t have a voice in his head. 
  27. He doesn’t have a head 
  28. Or a voice
  29. Sorry. 
  30. I guess in many ways, I’m the lucky one 
  31. Mom told me that before 
  32.  Don’t you know how lucky you are? 
  33. After I got sent home from school for stripping naked and attempting to flush my clothes down the toilet 
  34. I made a mess 
  35.  A huge fucking mess! Mom yelled 
  36. I told her it wasn’t me 
  37. It was the voice 
  38.  Newsflash, Tommy! 
  39. It wasn’t a yell, it was a scream. 
  40.  EVERYONE has a voice in their head 
  41. It echoed in my room with two beds 
  42.  You’re not special—don’t give me that bullshit excuse! 
  43. I don’t think I’m special, I wanted to tell her 
  44. I think I’m cursed 
  45. But the words didn’t come out 
  46. Instead, urine came out 
  47.  Piss yourself. Piss yourself right fucking now or else your heart is going to stop. 
  48. I peed. 
  49. Mom screamed. 
  50. Dad came in 
  51. He was drunk 
  52. He pushed me against the wall 
  53. I hit my head 
  54. I hoped for a bump 
  55. (An explanation) 
  56. He spit as he screamed 
  57.  Why do you have to make everything so hard on us? 
  58.  No bump ever formed. 
  59. (No explanation)
  60. He shook my shoulders
  61. Banged my head again 
  62.  You’re so goddamn selfish! 
  63. Through tears and over dad’s shoulder, I saw mom on her knees with disinfectant spray and a rag
  64. I closed my eyes 
  65. I Imagined Tyler’s face 
  66. But it’s the same as my face 
  67. So it didn’t help 
  68. I can’t stand being in this body 
  69. My body 
  70. I miss Tyler
  71. I miss his voice 
  72. I miss the way he could read my mind 
  73. I miss having hot dog eating competitions with him 
  74. I miss winning 
  75. I miss not having a stranger’s voice in my head 
  76.        
  77. I think mom and dad think it’s my fault that he died 
  78. As if I told the drunk driver to be drunk at 7:30am 
  79. As if I told the drunk driver to swerve off the road 
  80. As if I told Tyler to walk on the side closest to the drunk driver  
  81. I broke my arm 
  82. And bumped my head 
  83. But no one seems to remember 
  84. Or care 
  85. Or miss the old me 
  86. I miss the old me 
  87. I miss my old family 
  88. I miss the warmth of the sun on my skin 
  89. The friends I used to have 
  90. The brain I used to own 
  91. It’s a scary thing 
  92. To not own your body anymore 
  93. To not be believed 
  94. To not be trusted 
  95. To keep everyone around you alive every single day, no matter the cost
  96. And to never, ever even hear the words
  97. Thank you 

Jordyn Damato is a writer, lover, dreamer, in that order. She is currently an MFA fiction candidate at Miami University in Oxford, Ohio. Her work has appeared in Brilliant Flash Fiction and Bullshit Lit. Her favorite thing to do is hug.

The Passing of a Little More Than a Year by Lydia Kim

The soccer field was a miracle, an oval of grass behind a middle school where she could train her new small dog, play until it trusted her and understood their togetherness. She hoped to soften its vigilance, give it less reason to erupt.

Soon they met three other women and their dogs, two also-small ones and one big, and they formed a gang. The first summer of the pandemic, when being outside was the one thing you could do, though even that was a bit fraught, it’s not like the wind knew to blow the virus away from you and never towards you. But what a gift. After months of walks by themselves, each anxious for the other, she loved the ritual of heading to the soccer field, unhooking the lead and watching her dog run, thrilled, towards the clot of its friends. The sight of them leaping in greeting pleased her, the validation that her dog could make friends. The four dogs ran and feinted and rolled, sniffed each other’s glands, hunted along the perimeter of the fence for bits of old school lunches. They stayed out there for hours. 

Surprisingly, inevitably, there was the gentle creep towards human friendship, which she knew was rare among strangers and rarer still at her age, almost fifty. They laughed over “Love Is Blind,” the debut season, wondered at sudden celebrity deaths. The doodle had a birthday with party games: dogs racing towards coupes of whipped cream, bobbing for hot dog slices. One of the women had a hysterectomy, another up and got married. They drank champagne for one, then the other. Other dogs came to the field but did not become part of the gang: Julius the Vizsla, Blue the wheezing Frenchie, Lola, curly-haired and shaped like a tipped-over fire hydrant. Their owners kept it moving, didn’t have or want dog treats, just a wave and some small talk. 

Summer passed into dry fall, foxtail season, discussions of whether or not to cover a dog’s snout with protective netting. When the days turned even shorter, she bought four light-up collars so the dogs could play past dusk, a canine rave. They dressed the dogs up for Halloween, again for Christmas, and watched them learn the hard way to give a wide berth to the geese wintering on the field – the geese hissed and chased back, clouds of steam fuming from their beaks. Week after week, she walked to the field and sent her dog to its friends. Her dog looked for her now, came when called. She never quite got over the surprise of it all.

In the spring, she learned two of the women were moving to Oregon, one to Arizona. By summer, everyone was gone. Big dogs found the field, huskies, pit bulls. Sometimes the owners yelled at her even though their dogs were also off-leash, barking and coming too close. 

She walked to neighborhoods with big houses and through the shopping center where she tried to pose her dog for a photo on a bench, Depressed Dog Sitting, c. 2021. It wasn’t the same. Her dog pulled her back to the field where it could spend time free, even if alone. 

She threw the ball and her dog fetched it. This much they did for each other. 

The two of them were not a gang, but they weren’t nothing.

The hot days evaporated into another autumn, and as the sky began to pink, her dog’s collar lit up. A husky entered the empty field. Her dog stopped, let the ball drop from its mouth. The husky considered the geese, then her dog. She moved towards her dog, who moved towards her. The husky chose the geese, sprinted at them. They pushed themselves aloft, rising, gaining smooth altitude, except one at the back, flying, but too low, too heavy. 

The husky leapt, caught the goose in its teeth, snapped its neck left and right, thrashing the bird into the cold grass of the field, a spray of red on two white necks.

The goose lay in the center of its broken wings, the black feet pedaling as if trying to walk.

For days, she saw the carcass from the gate.  She didn’t enter, didn’t want her dog to sniff the goose, hated to see it there, exposed and undefended, picked at. Finally, someone moved it by the fence to make room for soccer goals.

Within a week, the crater filled with new growth. 

They went south, to the trail along the ocean, thick on one side with sea fig and saltgrass, land kelp. Dogs were not allowed on the beach, only the trail, saturated with animal smells and pocked with tiny tunnels that made her think of rabies. 

Her dog strained at the limits of the lead, head lifted at the scent of endless brine. They stopped in a narrow pedestrian-trampled break to watch waves foam the shore below. Waves pushed in, and waves drained out.

The far water was dotted with freighters and ferries, carrying cargo and commuters. The world was grinding its way back to rush-hour traffic and holiday sales. The day had begun to blue. There wasn’t another creature for miles, so she did the calculus and they walked onto the beach. She freed her dog. It stayed with her at first then started to wander away, braving good distance, nosing along crab husks, fifty feet, a hundred feet away, more. Stopping at crushed cans and torn wrappers, the possibility of scraps. Even after a good year, it was hard to trust one’s luck. 

She turned back to look, the apartment buildings squat and flat, the gate to the field ajar, the only way in or out.

Far away, the dark of her dog glowed against the pocket of sky. 

She opened her mouth and made a sound, two clicks of the tongue, a half-trill, not even her dog’s name. The silhouette bent, held, then the shadow moved, began to run.

Lydia Kim has published in Longleaf ReviewPeatsmoke, CatapultThe Hellebore, and in the anthologies And If That Mockingbird Don’t Sing and Non-White and Woman. She’s a Tin House alum and 2024-25 Tin House Reading Fellow and her work has been supported by the Kenyon Writers Workshop, Rooted & Written, and the de Groot Foundation. She is currently at work on a novel and story collection, represented by Ashley Lopez @a_la_ash.

The Way My Mother, Who Refuses to Die, Is Like A Ford Taurus by Danielle Barr

My mother died of a massive stroke, but she swears she didn’t. Dropped down dead right there at the breakfast buffet, then climbed back up to her feet—pardon me, she said to the coveralled man behind her—and went on ladling gravy over her biscuits. 

It seemed kind of presumptuous to no-thank-you dying, bald-faced rude like a lingering party guest. After all, sometimes folks dying at the all-you-can-eat is just supposed to be the natural order of things, and—between you and me—the secret best thing about mamas is that they’re temporary. 

By the time we had driven her home from Fancy Rick’s Breakfast Rodeo, her limbs had locked up into a rigor mortis so profound we sat her in the La-Z-Boy and for three days her eyes slid around in their sockets, tracking our comings and goings but never blinking.

Death is like this, though: first soft, then hard, then soft again, but different—mealy, mushy, like the slow rot of a stone fruit, the innards swelling and skin sloughing off and the flesh-fat yellow then brown then black underneath. A more apt description, in fact, I can’t seem to finger than an overripe plum: a bruise where a woman used to be.

You’re dead, Carol-Ann, says her cardiologist—who she swore was a hack, who she once accused of pumping her full of forever-chemicals to keep her just sickly enough to keep needing him but not enough to die—but she turns her chin up at him and gathers her pocketbook up under her elbow. He presses his stethoscope to her chest and waves me over to listen; the stillness between the lobes of her ribs is stark and stunning, a soundproofed room wallpapered in egg-crate foam, and it’s beautiful and horrible both. On the drive home she snuffles out a series of short gasps I take for crying; later, she pores over the Yellow Pages, points a dagger-finger at a few promising options, and despite myself I promise I’ll call and schedule a consult—not a single cardiologist in the county, I’ll report back after, is accepting new patients.

Bobby-Dale’s new girlfriend says it’s kind of romantic, isn’t it, how much she must’ve loved living, hanging on so tight. Heroic, even. Rage against the dying light, and all that.

And Mama, limp-flopping like a Raggedy Ann behind the cordless vacuum says in her parched voice, sandpaper rubbing together, Why thank you, CiCi, how nice of someone to notice, even though just last night she’d rasped that CiCi was a pointless sack of fluids and phlegm with not a thought bobbing around in all that sinew to spare, and I thought she’d sounded just a little jealous.

I consider telling CiCi that it’s actually a haughty refusal to be caught out that courses like sap through the veins that used to ferry blood and lymph across her cells, a kind of stubbornness that stretches deep into the clay like pipsissewa, but instead I chew the inside of my cheek to a pulp; the balance of things is delicate, after all.

Ronda my therapist says, Have you considered she’s gaslighting you? And I sigh and nod but then shrug because of course I have but also what am I going to do? She’s obviously dead but also won’t die and so I get my parking validated by the little Portuguese woman at the front desk and Mama’s waiting in the passenger seat when I climb behind the wheel, dust and ash pooling on my leather seats underneath her naked pelvis, sharp and moon-white in the sun. I almost sneer to At least tidy up after yourself, why don’t you? but instead I pretend I don’t see; instead I say nothing and she says nothing and when we get home I Amazon Prime a dustbuster to keep in the glovebox because this is the sort of thing family does for its own, isn’t it?

For Christmas, I work back-to-backs at the Down-N-Out and take out a personal loan with 33% interest to buy her the Rolls-Royce of caskets, a shiny lacquered thing with pink satin lining and polished brass hardware and a concave pillow to cup her skull: a real swanky place to spend eternity, and cost as much as a mortgage too, which I guess it kind of is. After dinner she lugs it out to the burn pile, price tag still swinging from the handle, and douses it in kerosene, and for a split second I think how easy it would be to tip her over into the bonfire, too, her beef jerky limbs catching like kindling.

Bobby-Dale and Tammy-Rae and me, once enough is enough, sweet-talk Mama into a meeting with Father Johnson at First Harvest, to get his opinion on what it is Jesus and Mary and the whole subcommittee might think about all this, and it’s easy enough getting her there, rubber waders billowing around her waist to keep her soggy snail-trail of putrid something-or-other from soaking the wall-to-wall in God’s living room. For a while she’d been convinced they’d call her a saint, call the Pope, and her face falls when after some discussion the priests decide that she is an abomination and not a miracle. Father Johnson says it’s a sin against God, her refusing to die, but that just makes her dig her heels in all the harder. She spits a dusty wad of coppery scab at their robe-hems and says she’d rather be an abomination than a Catholic anyway, with that attitude and when we sweep her toward the door she shouts over her shoulder that it turns out there’s no God or heaven or point anyway, and sneers wickedly when they hurry off because she knows they know that there’s no one knows better than her.

Bobby-Dale takes Mama up to the house—There there, now, Mama, can’t everybody stomach these things is all, like field dressin’ a deer, or the Yankees—and Tammy-Rae and I idle out at the curb and suck down a pack of Marlboros, one at a time. Tammy-Rae wagers this whole business is all on account of Mama’s Taurus sun, Taurus moon, Taurus rising. Trip-Tauruses, that’s about as Taurus as you can get, according to her. I don’t know much about astrology save for what I read in the weekly, but I’ve been driving this Ford Taurus for fourteen years and can’t get the tranny to shift into second to save my life. I figure Mama with stubbornness etched into her bones by the universe itself is like that too: can’t shift. 

You’re just like her, y’know, Tammy-Rae says, dustbuster in one hand, cigarette in the other, and I scoff that I was born in June.

No. Long-suffering, I mean. Joan of Arc-type shit. She flicks her ashes onto the floorboard, then vacuums them up.

Leave it, is what I say, this time.

Danielle Barr is a full time stay-at-home mom and sometime-writer. She was the winner of the Driftwood Press annual short story contest, and her works have appeared in The Milk House, The Hooghly Review, Querencia Press, and others. She is currently querying her debut novel. Danielle lives in rural Appalachia with her husband and four young children, and can be found on Instagram @daniellebarrwrites, Twitter @dbarrwrites, and Bluesky @daniellebarrwrites.bsky.social.

Divine Creatures and Monsters Alike by M.M. Kaufman

It was a strange time for us all. 

My mother, always a confident woman, acted odd her whole pregnancy. Was nervous from noon to night. My father, a nonstop talker, was silent. And I had what they called “sympathy symptoms.”

When she threw up, I threw up. When she gained weight, I gained weight. When her period stopped, my period stopped. I’d only just gotten it a couple months before. 

We craved the same things. We were repelled by the same things. We refused to touch apples. A whiff of one sent us running to the toilet.

I could feel everything she could in her body. I even knew when it was her time before she did.

When the contractions came, I heard her screams a half second behind my own. I felt the drugs they gave her. I was high in the sky. Like I’d climbed a tree that reached into the clouds. I was watching myself as I lay on the ground. 

I was ripped open when I heard my mother scream. 

What seemed like years later, I woke up. I told my mother if this is what I feel, I couldn’t imagine what she was feeling. She told me not to imagine it at all.

I studied the red, wriggling creature in my mother’s arms. During her whole pregnancy, I never heard my mother or father discuss names. Any name they picked would change the way I looked at the baby. Maybe even how I felt towards him. 

That’s when I asked my parents if I could name my brother. 

They looked at each other in alarm, then at me. Like I was a stray dog that might bite them any second if they made the wrong move. It was no stranger than they acted the whole of that year, so I waited until my mother, then father, gave a small nod.

I wanted him to have a name that marked the beginning of his story, so I asked my mother when she first suspected she was pregnant. She cried, which wasn’t weird after giving birth. But it was weird that my father cried too, cried even harder. 

She spoke more slowly than I’d ever heard in my life, asked if I remembered the day I fell from the top of the apple tree. She said don’t try to remember if I didn’t, but I did. That day we’d learned about Sir Isaac Newton’s laws of motion in school. Important men in history books seemed to have their big ideas alone, so when the school bus dropped me off, before my parents came home, I climbed the tallest tree I could find in the orchard behind our house.

I could never do this when they were home. They never allowed me to go into the old man’s orchard alone, even though he’d encouraged me to come and play in the trees whenever I wanted. Especially if I was bored and alone. 

I sat on the highest branch I could find that day and turned my face to the sun. It worked for sunflowers. I closed my eyes, let the sunshine filter through the tiny veins in my eyelids, and imagined a great red ocean whose depths held kingdoms of new animals to discover. 

An idea was swimming into view, but then a tidal wave came up from the trunk of the tree and shook me loose. As I fell, I dreamed that I not only hit the ground, but sank down into it. The soil folded over me. Sealing me in. 

My mother woke me up with her screaming, held my head in her lap. My father brushed hair and leaves from my face. I touched a hand to my sore abdomen and wondered if I had fallen on my stomach. My father lifted me in his arms and blood ran down my legs.

My body didn’t feel like home after that.

The doctor wrapped my sprained wrist and bandaged my cuts. She took my parents to another room while I was left to my own thoughts on the exam table. 

The only thought I had was that I never got my big important idea. The kind of idea that got its own name—a law of motion, a theory of relativity, a principle of pain, an idea whose name began to answer the question it inspired.

The baby cried. Such a strange sound that made my chest hurt and prickle with sweat. I gazed out of the hospital window into the sun, peering again into my great red ocean. 

I said the first name that fell into my mind. 

We moved after Gravity was born. I’m still trying to have a big idea, but I can’t have them in the orchard anymore. My parents said they’d never liked the old man. It’s time for some space, they said. 

And we had space. From him, from the trees, but also, the natural divide between my mother’s body and my own returned. I felt what I felt now. She felt what she felt. 

I was lonely for a long time.

I didn’t mind the move. There are trees all over the world. Gravity too. Wherever my body goes, there my thoughts go as well, even if there is still an ocean between them.

Sometimes at night when I can’t sleep, and want so badly to talk to someone—but to who, and about what, I don’t know—I close my eyes and hold a flashlight over them. 

I see my great red ocean and imagine myself slipping into the pull of an underwater current. There is still so much to discover there. Divine creatures and monsters alike. I don’t know where it will take me. 

Maybe it’s not a place, but somewhere in time. Sometimes the past pulls at me like seaweed gripping around my ankle, dragging me into a rift in the ocean floor. And if I just look down, look at the face of the sea creature holding me, then some great idea will be illuminated. Maybe.

I turn off the flashlight and open my eyes to my dark bedroom. The present wraps me in a thick blanket of sleep and I am gone. 

The move has been good to us. Instead of an orchard, we have a lake. Weekends I swim and draw every plant and animal I can find. On this new side of the world, my mother smiles, my father talks, my brother is a wonder.

My body is starting to feel like home again.

The baby is walking and climbing and falling down on his own now. Most people call him Gray. But I’ll always call him by the name I gave him. A beginning as strong as the laws of nature. Somewhere to start and somewhere to end all at once.

M.M. Kaufman is a writer based in Georgia. She is a Fulbright Scholar and earned an MFA in the University of New Orleans’ Creative Writing Workshop. She is currently the Managing Editor at Rejection Letters and team member for Micro PodcastHer fiction is published with The Normal School, HobartMetonym JournalSundog Lit, Daily Drunk Mag, (mac)ro(mic), HAD, Olney Magazine, Pine Hills Review, Maudlin House, jmww, Major 7th Magazine, Rejection Letters, JAKEIcebreakers Lit, and Identity Theory. Read more on mmkaufman.com. Find her on Twitter @mm_kaufman, Blue Sky @mmkaufman.bsky.social, Instagram @mmkaufman, or at the carwash.

Bluffs Surround Us by Brett Biebel

We watched the movie in Julie’s basement. Back when she had a mansion. Back before her parents got divorced. The plot was convoluted. The runtime was excessive. They’d filmed it like 20 minutes away in La Crosse, and we recognized about a million Wisconsin landmarks, or I did anyway. I was sitting three feet from the screen. Julie fell asleep on Keith’s lap, and I could hear occasional rustling behind me, Keith moving softly, Keith trying not to make things weird. In the movie, there’s like some kind of minorly mutated flu virus, and a bunch of old people refuse a vaccine. What happens is they die. They die, and they do so in enough numbers to constitute like twelve percent of the difference in a real close presidential election that swings to the Democrat, and there are media stories. Academic studies. Outsiders flood this town, and a bunch of kids like us get together and use rose petals to write “STAY STRONG” in front of every single former home of a now dead voter. The roses look all bloody on top of the snow. It’s hard to tell if the movie switches to black and white or if everything’s just so grey that it’s all indistinguishable. I caught Keith in the glare. He was scrunched way to the side of the sofa, Julie snoring away with her hair rolling over his legs.

“I figured you were having some kind of boner situation,” I said, on the way home.

“I was trying to like move her head real gentle on account of I didn’t want her to wake up. It wasn’t supposed to be creepy at all. And then like two clumps of her hair came out in my hand, and I kept daydreaming she had cancer.”

“Fuck,” I said, looking at him. Not wanting it to be true. But also imagining if it were. Watching Keith do the same.

“I’m not good with sickness,” he said, and I told him how the thing about cancer was that people who had it didn’t want to think about it, and you could do a lot by mostly ignoring it. Mostly waiting, which was all we could do. We waited for Julie to show up bald or dead, but the closest we got were wigs. I liked the blonde one. Platinum with bangs and cut tight shoulder-length. Keith was into the same style, only he preferred it jet black. Nobody else seemed to have an opinion. Julie’d walk by, and the hall would kind of tense up, and Keith would give her his math homework. Statistics, it was. I didn’t have much to offer until Julie started sleeping at her mom’s new place. Maxine’s. It was a lot smaller. Two blocks from the high school. We got invited over more often. We invited ourselves. Julie laughed louder. The movies got lighter. We tried to play games. Sometimes, Keith had an early curfew, and before he left, he’d look at me, kind of ambivalent, kind of asking.

“Gonna catch a ride with someone else,” I’d say, and he’d nod and shut the front door real quiet. One time I stayed until 2AM, and we watched music videos while Julie played with her bangs. We talked about the bands you play when no one’s awake to hear and she told me not to tell Keith how late I stayed, “Not because anything happened, but he’s probably not ready to hear it.”

“Okay,” I said, and I never told Keith. Even though I wanted to. Too scared he’d see right through me. 

Julie lost weight, then she put it back on. We didn’t know if she was getting better. Time was passing. It was senior year. Winter. Some weekends she’d spend at her dad’s place, and Keith and I would drive by. Julie drove this yellow Jeep, and sometimes it would be parked there. Sometimes not. Sometimes there was music. Sometimes not. On one of the quiet nights, Keith kept driving in circles. We couldn’t see the Jeep.

“Didn’t you say she’d be here?” said Keith.

I shrugged. “I don’t remember what I said.”

Keith pulled over. The mansion was behind us, built into a bluff. Somewhere below was the river. We couldn’t see it in the dark. “Listen,” he said, “If you want me to, like, stop, you just need to say so, okay?”

“I don’t know what you mean,” I said. I looked at the house and thought about movies and basements and the way people fall asleep.

“Like.” Keith drummed on the dash. “I’m just trying to make her feel better, I guess, is what I’m saying. If it makes you feel weird or whatever. That’s all.”

“I don’t feel weird,” I said.

He nodded a little. I nodded back. He put the car in drive, and we wheeled around town for a while. Stopped at the Hy-Vee. Keith grabbed some roses, and I did too, and we found the Jeep parked outside Maxine’s. The lights inside the house were on. Julie was talking to her mom in the kitchen. Her hair was short and a little patchy.

She didn’t see us write “STAY STRONG” in rose petals on her lawn, but, on Monday, at school, Julie shrieked and hugged the two of us, hugged us like the ship was sinking and here were two logs in a broken life raft, and she went to prom with Keith. He said nothing ever happened, “nothing except some cloudy intense shit I don’t even understand,” but I didn’t know if I should believe him. I didn’t know how much I cared.

But that night with the roses, the moon was on us. We fought a little over the last petal or two, Keith in front of me, me in front of Keith. Laughing. Joking. Then Keith drove us away. Keith was more confident. Keith always drove. And the whole way back to mine we talked about last summer. About this uniform they made Julie wear at the drive-in, this knock-off nostalgia place where the high school girls put on roller skates and shorts that were too long to be sexy and too short to be chaste, and we let that image hang there, whispering. No music. No more talking. The bluffs cast frozen shadows, and the purity of our intentions sat there between us. Its levels were static and jumpy, all of them muddled as leaves beneath the reddened snow.

Brett Biebel is the author of three collections of flash fiction, 48 Blitz, Winter Dance Party, and Gridlock; and A Mason & Dixon Companion. His work has appeared in many magazines and been selected for Best Small Fictions and Best Microfiction. He lives, writes, and teaches in Illinois.

Two Stories by Linda Drach

TRAVEL & LEISURE

I’d see them in the cardiology waiting room. Not every time, but often. The man, shuffling behind an aluminum walker, his right foot dragging; the woman, slowing her gait to keep pace. Always, her hand rested lightly on his bicep. That was completely unnecessary. A gesture of tenderness, I guess. He looked like my second husband. She looked like the Starbucks barista my husband shacked up with before divorcing me. I’d stare at them until the woman felt me looking and glanced over to where I’d parked myself near the giant aquarium so I could reap the calming benefits of fish swishing. My eyes were flamethrowers that singed her bangs, burned through her skull, and incinerated the smoking cessation poster that hung on the wall behind her. Satisfied, I’d pretend to turn back to Travel & Leisure or Yacht World. 

That was before my doctor shunted me off to hospice.

It was strange. I hated that waiting room. But when the couple appeared I forgot that I was waiting. Suddenly, I had energy and a sense of control, whereas just moments before, I’d had neither. I liked sketching in the details of their lives, imagining the bank statements and what was parked in the driveway. I liked thinking about her slutty lingerie, long abandoned, the elastic going slack in a bottom dresser drawer. I liked thinking about her bitching to her friends over too many glasses of Sauvignon Blanc about the pill bottles crowding her quartz countertops. About the long, tedious nights building puzzles instead of fucking. 

Those were good afternoons for me.

It’s been months since I was there. But sometimes, as I’m staring down the teddy bear the volunteers insist on staging at the foot of my bed, I think of that couple. I wonder if he’s in a wheelchair now. I wonder if she’s gotten fat. I hope she’s gotten fat. These daydreams are necessary; they counteract all this false cheer. I heard one of the nurses talking about me, the only thing keeping that one alive is spite. I’m still listening for rubber wheels rolling down the hallway. To feel a little surge.

THE FARM

Pat calls on a Monday night to tell me my nephew – his son – is dead. 

He never says dead. He says Joel is gone. But I know what he means right away, like I knew when our mom told us Sparky or Boo or Snowflake went to the farm, so they could run freely instead of eking out their short doggy lives in our cramped backyard. 

Gone. That’s all he says. That’s all he can say. 

When I get to the ER, Pat is slumped on a vinyl couch, yowling through clenched fists, like a cat with its tail stuck in a slammed door. The chaplain patting his back looks glad to see me. Five bug-eyed youth silently circle the room, like a school of guppies – stoic little fish, who spend their short lives sucking lines of shit off the bottom of their tank and then spitting them out to try again. Relentless in their efforts to find something delicious. Each time, it’s shit. These are Joel’s 12-Step friends. His goddamn friends, who watched him die.

It’s time to see Joel, but Pat says he can’t – he doesn’t want to see him this way, which is dead. When we were kids, I always took care of the lesser burials. Dozens of goldfish, two turtles, three lizards, and a chinchilla. A grim menagerie interred in our mother’s garden, near the concrete statue of Mother Mary. Our household was rough on living things. This is why I never had children. 

The chaplain leads me through a set of double doors, and there’s Joel, wearing the same flannel shirt he was wearing on Saturday. Our boy needs a haircut. His copper locks, the same shade as mine, are shaggy at his neck and fall haphazardly across the petals of his cheeks. His hand is still warm – only a little bit cooler than my brother’s. Where are you, Joel? I whisper in his ear. The chaplain fidgets. He’s certain Joel is strolling through God’s cosmic vivarium. I shoot him a look and he leaves us alone. Can he tell how much I hate him right now? He knows my type. A lapsed Whatever, with my poems and pop songs and coffee can ashes, making half-assed attempts at the everlasting – when what I want is the farm. 

I tell Joel if believing made it so, I’d make myself believe it. I’d send you to a party that goes on forever and never gets out of hand. Where you could play three-handed pinochle with your mother and grandfather and share a bottle of magic bourbon. The kind that won’t lead to black eyes or scarred livers. I’d make sure you’re happy. That you know you’re enough. I’m crying now, with my head on his chest. Bawling, really, like a motherless calf. I picture the floribunda roses framing my mother’s backyard shrine. Vivid red. Heavenly scent. Climbing the chain link, spilling over in its vigor. Back every year, despite our neglect.

Linda Drach is a poet and writer, public health program manager, and volunteer writing group facilitator for the nonprofit Write Around Portland. Her writing has been published in The Bellingham Review, Cagibi, CALYX, Cathexis Northwest, The Timberline Review, and elsewhere. She studies and teaches at The Writers Studio.

Two Stories by Rachel Lastra

Poor Cheryl

She’s the one we pile it on like a damn donkey on a tourist trek through the Peruvian mountains, opening up her saddle bags and dumping in all that shit, leaving no room for anything but Yes, okay—and But I—and What if we—and I didn’t mean—and I’m sorry I—and Maybe we could—never let her finish a fucking sentence, though each of us blames the others, says we’re not the ring leader of this particular circus, the guide of this donkey ride winding up the mountainside, thinks we see her, thinks we’re kinder, thinks we’d save her if we could, but we can’t, can only save ourselves, can only keep our eyes open wide in sympathy at Cheryl when we’re sure no one’s looking, thinks this makes it okay that she’s a punching bag-scapegoat-doormat-dupe-sap-pushover-pigeon-victim-sacrifice, because that’s what she is, was born to be, that’s what’s needed to feed a prowl of high school pumas in winged eyeliner and platforms, teeth bared, slinking through the grass, scenting blood, ready to pounce before we can be seen as prey.

Love Me Like a Reptile

The salmon has all been eaten. Only a few half-spears of purple asparagus, picked up just this morning from the farmer’s market, litter the otherwise empty dinner plates. The wine bottle is tapped but our glasses are full, golden in the evening light.

“Whoever came up with the word ‘splurge’ must’ve been a great influencer.” Fred leans back in his chair, and I see him. I do. Square-jaw handsome, perfect hair. “They must’ve been a great influencer,” he repeats. “Because splurge is a horrible word.” 

Fred enjoys these kinds of thought exercises. He’s a data analyst—don’t ask me what that means. I know it pays well. Most days Fred has the personality of wet cardboard, but he has his moments. He calls me his statistically significant other.

I wanted him to go with me to the market this morning, pictured us strolling arm in arm through the aisles, woven market bags in hand, pausing to feed each other samples of honey and twenty-dollar artisanal cheese. We’d linger near a fruit stand and I’d feed him something juicy. I’d push the hair off his forehead and he’d kiss me like he wanted to merge with me, consume me. He’d taste like summer and lust and peaches warmed by the sun.

But Fred had given me a peck on the cheek and said, “Babe, I’m too hungover.” 

And we don’t even have any woven market bags. 

I drag my fork through the olive oil coating my white IKEA dinner plate and don’t snap at Fred’s conversational bait. He keeps talking anyway, between swigs of white wine, pink tongue glistening in his open mouth. I lick the fork tines clean and think of other, more horrible words. Slurp. Fester. Sloppy. Flaccid. Needing. Wanting. Solo.

I look out the screen door onto our balcony. There’s my neighbor out on his, a mirror of ours. If he looks up, he’ll see me. I will him to, thighs clenched. He leans his elbows on the railing and looks down into the courtyard at the balding trees, the small, sun-bleached climbing structure, the pair of swings sagging like bags under the eyes of a sober drunk.

He’s in his 60s, my neighbor. Bearded, long gray ponytail. Snake tattoo. Strong arms bared by a neon yellow muscle shirt. I bet he could lift me, easy. He’s playing music again: Motorhead.

Fred says: “I mean, listen to this. ‘I splurged on a new computer.’ Sounds gross, right?”

I say: “Uh-huh.”

He reaches for the gold ribbon of the white bakery box on the counter. I stand up. Clear the dinner plates. Grab the white World Market dessert plates. Sit back down.

Outside, my neighbor turns and she emerges behind him. Same age, give or take. Dye-black hair slithering down her back in a tail as long as his. Yin to his yang. She runs a hand up his arm, over the softball of his shoulder, curls her nails in. Then their mouths open, tongues bulging in each other’s cheeks like gumballs. Her other hand grips his ponytail—firmly. His hand snakes up her back to do the same. And then they stand like that, wound around each other, tongue-kissing in the open air.

Fred pulls a cream puff from the bakery box and offers it to me. I decline. Flash of white teeth, jaw wide as if he will swallow it whole. Cream splurges from the end of the puff.

“Fred,” I begin.

The neighbors have gone back inside. They drew the blinds only halfway but I can’t see anything. I bet she’s on top.

Cream dots the corners of Fred’s mouth. I could lick him clean with my forked tongue. 

I open my mouth. Close it. Open.

“I want some.”

Rachel Lastra’s stories have appeared in Tiny Molecules, Barrelhouse, Smokelong Quarterly, Apparition Lit, and other places. Her work was highly commended in the Bridport Flash Fiction Prize and a finalist in the Flash Frog flash fiction contest. She is a student in the graduate writing program at Johns Hopkins University and is working on a novel. Find her at rachellastra.com.

Y2K by Sonia Alejandra Rodriguez

The world might end in 30 minutes. For months, there’s been speculation on the Chicago news channels about electronics failing, of planes falling out of the sky, of the market crashing, of chaos on the streets because we will run out of food and water.  

My baby bump is enormous, I can’t see my swollen feet. My husband’s in jail for being a pendejo but technically for drinking and driving. I’ve huddled myself and my children in the bedroom to wait for whatever Y2K will bring.

“And if we need to use the bathroom?” my eleven-year-old daughter snarks as she bounces her baby brother on her hip. She’s been mad at me for a while now. But who else can I make help me with these kids?

“Pues ahí está, Sofia,” I point to the bedroom door, letting her know she can go in and out as she pleases. 

Sofia rolls her eyes at me and switches to cradling the baby to try to get him to sleep.

“It’s okay. You’re okay,” Sofia whispers and sticks the bottle in her brother’s mouth.

I wish I could go back in time when I’d cradle her.

Meanwhile, Pao, my middle child, bounces from the love seat to the edge of the bed and back. 

When the doctor said I was for sure pregnant again, I took my daughters to La Michoacana for ice cream, to share the happy news.

“No, the baby’s not here yet. We have to wait 5 months.”

“Five months?! The world’s going to end before then. Sorry, baby!” Pao exclaimed and kept eating her rocky road ice cream. 

Sofia pushed away her vanilla scoops. The slight shadow growing underneath her eyes darkened.

“Ya no quiero.” She glanced at her brother in the stroller. When I was Sofia’s age, I took care of my little sisters whether I wanted to or not. But, yes, I worried, too. How were we going to care for another child?

I placed my hands on my belly, thanking God for this miracle, and praying for the ones I’d lost before. We ate in silence while “Livin’ La Vida Loca” blared from the radio. I craved the charred taste of burnt tortillas.

The phone rings at 11:45 pm and we all flinch at the unexpected noise. The baby stirs and Sofia glares at me like I somehow made the phone ring. 

The answering machine picks up, “This is a collect call from Cook County Jail…”

“Papi!” Pao hops from the love seat to the floor to grab the cordless phone before it’s too late. “I accept!” she yells into the receiver and Sofia shushes her. 

“¡Dámelo!” I lean as far as I can from the bed and pull Pao by the shirt to snatch the phone away. Her little face scrunches as if I had reached into her tiny chest for her beating heart. 

“¿Q’vole? How are things over there?” I can barely hear Manny over the yelling happening behind him. 

“They’re doing lights out in 5 minutes. Everyone in their cells before midnight. Se nota que los guards are all tense and shit at the thought of their fancy locks not working when the clock strikes twelve.” 

“Whatever, Manny. If you miss the birth of this baby, I swear to God!”

On the screen, the news switches between people in bedazzled “2000” glasses and images of people looting a Wal-Mart in the Southside, running out with giant TVs. Food is what I’d take. A lot of diapers. Formula for sure. Clothes for the girls. Oooh, maybe a new winter coat. Some lipstick. Hoops that don’t turn my ears green.

“Te habla tu padre,” I hand the phone to Pao, who leaps for the cordless. The sound of Manny’s voice makes the baby inside me kick and vomit rise in my throat.

“Papi, I can jump from the couch to the bed without falling!”

I try to hand the phone to Sofia, but she refuses. I motion for her to place the phone near her brother so Manny can talk to him, but Sofia turns her back.

“Si, si, we love you, too!” I begin to cry because if the world is ending, I wish my husband was at home with us. If the world is ending, I wish I had had a chance to see my mother. The last time I saw her was 5 years ago when we left Mexico. But if the world is ending, I might finally get some rest. 

Sofia yanks the phone and quickly says, “Bye, papi. Happy New Year,” before she hangs up.

I look out the window and see that soft white petal snow is falling—my favorite. I pray this storm isn’t like the one that hit us at the beginning of the year. We were snowed in for days. The snowplows didn’t come through our street. There was no way to drive anywhere. We stocked up on food when the news reported that we should expect the worst blizzard “the windy city” had seen since the late 60s. We got all the formula and whole milk WIC would let us. We didn’t know how long we would be trapped, but at least then we were together.

Sofia gently sits on the loveseat still holding her sleeping brother. I struggle to get myself off the bed and Pao comes from behind to push me up. I scoot in next to Sofia and feel her inching away from me. I pull Pao next to me and she dozes off on my lap.

Someone on TV announces it’s almost time for the countdown. Behind them, someone holds a large poster with the words, “We ❤ robots!”

I take Sofia’s hand, and she presses her sweaty palm into mine so tightly I can feel the intensity of her pulse. I kiss the top of her head.

The announcer counts down: 10, 9, 8, 7, 6… 

My heart pounds and my throat tightens. The baby inside me kicks, their little leg protruding from my stomach. The kick lands near Pao’s head and Sofia bursts out laughing. Soon I’m laughing and shushing at the same time, trying to keep the younger children asleep. 

On the TV, confetti fills the screen. Fireworks and gunshots echo outside. 

“Diosito santo, protégenos.” I hold my children close when the lights go off. 

Sonia Alejandra Rodríguez (they/she) is a writer and educator living in Queens, New York. They’ve participated in writing workshops at Tin House, VONA, and Kweli. Their stories have been published in Latino Book Review Magazine, Kweli Journal, Variant Lit, Strange Horizons, The Acentos Review, Longreads, Okay Donkey, Reckon Review, and elsewhere. Sonia Alejandra’s writing has been nominated for a Pushcart Prize, Best Small Fiction, and Best Microfiction. Follow them on Instagram at @soniaalejandrawrites.