Animal Relief by Rachel Becker

We’re sitting on our first adult couch
to which the cat has already done his worst,
fabric pilling. It’s from Jordan’s.
We spent real money.

From here, the crooked chandelier jangles
on its chain. Mismatched bulbs flicker
like filmstrips, our dinner table,
paint-stained, pocked—again, the cat.

Sometimes I clear plates too soon.
Evil waitress, my husband jokes, fork raised.

So different from how my father ate,
hunched over and full of complaint,
the meat, too dry, and beans, over-boiled.

He left the table, still chewing,
like a child, who had soiled himself.

Rachel Becker’s poetry appears or is forthcoming in journals including North American Review, Post Road, Crab Orchard Review, Poetry South, and RHINO. She is also an assistant poetry editor for Porcupine Literary: A journal by and for teachers. She lives in Boston. 

Now I Turn Myself into Origami by Susan Israel

I make myself into a chrysanthemum so I can fit in this box, the box our vacuum came in; it’s not so big that I don’t have to fold myself first. Knees drawn up, arms wrapped around me, head down. It’s 85 degrees but my teeth are chattering; I’m a fluttering paper flower. I can still hear the heavy footsteps that stomped through the classroom, stopping to reload, stomping again. Pop. Pop. The teacher didn’t even have a chance to ask why he was there. I hear stomping in the breezeway connecting garage to kitchen. I’m in the box and the box is in the closet and I hold my breath; he’s coming in here too! He followed me from school and now he’s coming to get me. I might puke. It’s not safe to come out. “Rachel, are you here?” he calls, then louder, “Rachel!” He knows my name. It’s a trap. My screaming classmates cried, running to the door, to the windows. Pop. Pop. Pop. I can still hear them. My paper hands reach up and cover my paper ears. I was lucky there was a box in the classroom, a box like this. It was turned upside down. And I folded myself into a swan and ducked my paper head under my paper wing, trembling. The popping stopped. “Is anyone alive in here?” I didn’t budge. “It’s safe now.” I didn’t believe them. I didn’t want to see what I knew was outside the box. And then I had to and I saw blood, so much blood, my friends’ blood. I spread my swan wings and flew, I didn’t look at anyone or anything else; I just flew home over the chaos, over the ambulances and police cars and panicked people to my home, to this box and folded myself into a flower, sprouting roots right through the cardboard, through the floor, right through the earth, my heart still pounding. “Rachel?” I can hear his voice breaking. Then, “I was at the school. I couldn’t find her. They don’t know if she’s one of them, they haven’t all been identified yet. So I came home, but she’s not here either. I don’t know where she is.”

Home. I push aside my petals and peek out the closet door. He’s sitting on the couch, my father, his face in his hands, the phone still lit, lying on the floor next to his feet. 

 “Dad?” I can’t fight back my tears any longer; they gush from my eyes. I’m a girl again, not a chrysanthemum and my petals scatter as I stumble into his arms and they fold around me.

Susan Israel’s work has been published in Blink-Ink, Backwards Trajectory, Does It Have Pockets, MacQueen’s Quinterly, JAKE, 50 Word Stories, Bright Flash Literary Review, Flash Boulevard, among others. She lives in Connecticut.

Breaking News: Barbie Eats Trump During Baltimore Pride Fest by Chrissy Stegman

What else was left for her to do? Giant in pink,
her laughter clanging down Charles Street
like bells rung wild to the dystopian melody.

She was a blaze in glorious sequins. Swirls
through the crowd, her skirt sliced the air
like ribbons of rampage, her manicured hands filled
with noise and want. She saw him, glitterless,
small in the gold chair he made for himself.
A throne as yellow as piss. The crowd parted
like the sound of rain. She moved toward him,
her shadow a blossom of organza fire in the setting sun.
She plucked him like feral lint from a coat lapel.
She flicked him, a spinning trinket tossed
to gravity’s obsequious gamble & caught him
mid-fall. Her mouth opened into a cave of cherry
and fuchsia, a holler of lipstick

When he fell, she swallowed him whole.

Love did this: the riot of it. Love
for the smashing, the making,
the breaking. Love
for our country and the streets
lit like a sky of teeth.

Chrissy Stegman is a poet/writer from Baltimore, Maryland. Recent work has appeared in: UCity Review, Rejection Letters, Gone Lawn, Gargoyle Magazine, Anti-Heroin Chic, Stone Circle Review, Fictive Dream, Inkfish, 5 Minutes, Libre, and BULL. She is a 2x BOTN and Pushcart Prize nominee. www.chrissystegman.com.

Two Stories by Lavina Blossom

Slow Leak

She mounts the first step up from the driveway, hand on the rail. She forgot to leave the front light on but her aging eyes can see well enough from the neighbors’ lights. Wait, had she locked the car door? She depresses the button on the device in her hand, hears the faint unsatisfying click, pushes the button again, a louder click this time. She brings the device up to her face, hits lock and the click is faint, so it’s locked already, right?

But does she have her phone? She rummages in her purse. She can’t feel it in there. Returning to her car, she hits the unlock button. Good, she had locked it. She gets into the driver’s seat and looks in the console. 

She stares out the windshield a moment, weary, then dumps her purse on the passenger seat, shakes it. The phone lands on the pile and she tucks it back into her purse, then adds her wallet, comb, pack of tissues, lipstick, gum, nail file, clippers, the tiny notepad, pencil and pen, a sales slip, her small address book. 

She needs to enter numbers into her phone if she can remember how her grandson said to do it. Every number but Rhonda’s, although yes, she will add that too, and call Jeff, ask how his health has been, although she never cared much for Rhonda’s husband. A pity her friend went first. Up to a year ago, she was full of fun.

Damn, she meant to stop at the gas station. Her son had that gadget to measure air in the tire, but no air pump. Probably a slow leak, he said. But doesn’t that mean she needs a new tire? And which tire was it? She’ll call her son tomorrow, or hell, just look at the tires. It ought to be obvious. Or maybe she will call, talk to the kids if they’ll get on the phone. No, too soon. She has just seen them, only about five minutes before they went to their rooms. 

She rocks herself out of the car, straightens her skirt. Now where are her keys? She leans in and bumps her head on the door frame, sucks her teeth, plucks the keys off the dash. Standing straight, she swipes at her hair that has fallen forward, catching the key ring in a curl. She deep breathes and slowly untangles it. She would get her hair cut really short, but her husband likes it longer. Liked it. Still, when she visits him, she does not want to look different, unfamiliar. He still has some recognition. He seems to know her even if he can’t say who she is.

With the car door closed, she starts up the steps. Did she lock the car? She depresses that doodad thing. A faint click, so unsatisfying. She hits the other button, likes that sound better, being clearer and sharper. She depresses the buttons one after the other, louder click, softer click, louder click, softer click. She decides the final louder click locks.

She wishes she was in bed, but now she can’t recall if she took her umbrella when she left the house. Nearly at her front door, she looks up into the sky. No stars.

There’s a light on her phone, but she can’t remember how to turn it on. She must not fall. Better to live here alone than take one of her grandsons’ bedrooms. They would resent her. It simply cannot happen.

She turns around, looks at the car, shakes her head, turns toward the three remaining steps to the stoop, turns toward the car. She starts to walk down, hating to leave the umbrella in there in case she needs it in the morning. She presses a button, but no click. She’s too far away. Does she have a fresh battery? She walks down farther, testing as she goes, pressing the button with her thumb until she hears a click. She stands a while locking, unlocking, locking, unlocking, matching rhythm to the labored pulse in her throat.

We Wear Suits

They are gray and tailored. We look professional. We look expensive. The women have gray purses, the men, gray wallets. Our shoes match, and our hair. Our teeth are white and straight. I wore braces for a year, but no one here knows this.

We never hurry when walking between our cubicles to speak to one another. We enunciate. We are smart and know where jokes are going, so we don’t need to finish telling them. I used to laugh. Then I smiled. More recently, I grimace.

The curtains are kept closed. I opened them once. I learned that beyond is ripe color. I wonder if our eyes are a betrayal. None are gray. 

I look into the other’s faces. I drop a pencil. No one reacts. I drop a stapler. One person nearby flinches, doesn’t look.

Tomorrow, when I deliver a document, I will touch someone’s hand.

Lavina Blossom is a visual artist and writer. She grew up in rural Michigan and now lives in Southern California. She has written articles on the writing process for the Inlandia Institute and was a poetry editor for the Inlandia Institute’s online journal. Her poems have appeared in various publications, including 3Elements Review, The Paris ReviewPoemeleonCommon Ground ReviewGyroscope Review, and Ekphrastic Review.