[When a man and a] by Jason Fraley

When a man and a woman love each other, they can opt (i) for sexual
relations or (ii) to memorialize their feelings in a securities contract.

English makes it difficult to gender a piece of paper.

Even though I babble Latin, the doctor assuages my parents’ fears,
assures them I’m indeed living.

My parents, perhaps biased, repeat that I’m the most beautiful legal
document in the whole world.

After leaving the hospital, they take me to the exchange.

My crib is a plastic sheet tucked into a writing desk drawer.

A bespeckled man with a milky beard gazes from atop a wooden
crate. He predicts that, one day, I will be worth 30 pearls, an entire
bundle of flax, or six counterfeit rubies.

My parents are keen on those three outcomes.

What my parents learn is that securities contracts are not
circumcised. They are sliced into tranches.

Some price my finest details: a stylized T to start a paragraph, an
anachronistic diagram of a human skeleton.

Some speculate that a thumb-smudged page number or struck-
through drafting error will solicit a turquoise shaving or heron
feather at some later date.

Bidders disperse when they must pay more than quail eggshells for
my errata.

My parents are aghast as I’m confettied to the highest bidder.

Think of tranches like trenches.

A trench may be a rut, channel, furrow, or cut depending on when a
shovel breaks or Orion hides his bicep behind cloud cover.

A trench doesn’t become an excavation just because that’s where
the wind hides confetti squares appraised as worthless.

But that is one reason.

Jason Fraley is a native West Virginian who lives, works, and periodically writes in Columbus, OH. Current and prior publications include Salamander Magazine, Barrow Street, Jet Fuel Review, Quarter After Eight, West Trade Review, and Pine Hills Review.

giving all my heart to the dirt sprayed across my hands by Fabiola Cepeda

Sometimes I like to draw on my teeth, but not today. I do not like to draw on my teeth today because yesterday Luis ate dirt. The day before Luis was sprayed across my hands and my shirt; I had to dig a hole in my backyard. I said a prayer for Luis, my friend Luis. Today I put my pillows on the top shelf in my closet, I am giving up sleep for him.

My reasons for anything are always temporary, so it doesn’t matter if Luis killed the rabbit, even when he bit him. I miss my old life, when we would skip over rocks on the river, dip our feet in, get a cold. I miss being frozen in our room, unable to move, forgetting what it felt like to feel normal and healthy, wishing for more than anything to be warm and healthy again.

My feet slipped from under me during class while I fell asleep with my head down. looking out the window, my friend Sarah asked me if I was okay. I do not know how to tell her that I do not have time, I gave time up for Luis.

The rain falls all over the place, and my CD keeps skipping in my ears. Today is All Saints Day, I dressed up as, well it doesn’t matter, now that you can’t see it. My mom made me dress up for All Saints Day, I tried really hard not to celebrate it without you, I know it was your favorite. No one really likes All Saints Day. Mom and Dad’s breath comes from the same bed now, they gasp and are curious; I forget how thin the walls are here. I am going to stop crying all the time, I want to be as alive as one could try to be, even if that means doing the bad things. I want to hear people say, “That’s not like you! Luis would be disappointed,” but I know they are lying.

On the underside of a fog you are so lonely. Alone, with dirt sprayed across your face, wedged between your skin. I don’t want to be shot brushing my teeth with you. Alone in the modesty of our gums, waxed with baking soda. It was easier to avoid a greater sadness than whatever this is, I guess that’s why I did it. Why I buried you in the backyard, sliced up, full of juice.

It is still raining and you have stolen the warmth from this earth. But someday secretly, I will work on bringing you back up. That way we can walk into the theater, hand in hand; see the tiny stage hold up the great fools. Their shadows bouncing behind their eyes. And yes, it is all necessary, to see multiples of you through my backyard window.

The leaves are a yellow and it reminds me of you, and even though the road is closed I go down in. taking in the trees, searching for you. It is hard to find you in the dust that fills the air. I wish I could have looked at you a little longer, Luis. I know I must go but my ears hurt from wind blowing. The new is not important to me anymore, how could all of this keep happening when you are gone. You’ve been far from land for too long, just come back.

I could almost see you floating in class today. I didn’t cry, it was an awkward mask I forced myself to wear. Tall people do not seem to understand, Luis, the destruction of moldering at a wooden altar. At the funeral, others laughed. In your towel my knees killed grass, feet were brown and shone through the crack that ran up the wall. I got thrown to the tub, but I leaked out of my knee and made my escape to your grave. But they twisted me back and lives carried on.

My feet hurt from walking across streets for you. I can’t go go home anymore and sleep. I don’t think you would have this Luis, but I can’t keep squinting my eyes just so I can remember you. It is hard Luis, to eat when I think I see you on the kitchen table. It is even worse when I go to Abuela’s house and see multiples of you swaying in the wind. I go drawing on my teeth and smearing my nose on the couch. I don’t miss you anymore, you were just a lemon, Luis.

Fabiola Cepeda is a Mexican-American Writer from San Antonio, Texas. Her work has been published in Gravel, Cargoes, and The Hunger Journal. She is currently pursuing a degree in creative writing and studio art from Hollins University in Roanoke, VA. You can find her on Instagram @whatfabifound and @fabiolaleyendolibros.

App City by Rachel Myers

welcome to [city]
please observe all traffic laws in [city]
park only in these designated lots
or garages       pay here
or on the app

the machines
will serve you
they are here to help you
we gave them mouths to say

pay for your parking here
pay for your parking here

observe them in rows     dominoes
echoing each other     activated
by motion   please enter
your license plate     that is not
from this state
you are a robot
try again     try again

it would be better
to download the app     where
you must also prove     you are not
a robot       the robot asking you
can differentiate

you may not
park elsewhere
you may not
park here         unless you pay
at the machine     that speaks
but again
it would be better
to download the app
which is different from the app
for [other city] and [other city]

you must pay       on the app
or at the machines       that say
you can pay   but cannot
recognize you   you
with your movements   your ability
to select     which pictures
have a bicycle in them

Rachel Lauren Myers is a poet from northern Nevada. Her work can be found in Red Ogre Review, South Florida Poetry Journal, Sky Island Journal, and elsewhere. She is an assistant editor at MEMEZINE. She recently relocated to Massachusetts with her pug, Watson, and can’t get over all the lush greenery. Find her on Instagram and Bluesky at @hellostarbuck.

Fireflies by Rina Olsen

Last night I had the dream that my father had had nearly twenty years ago now. But it couldn’t have been the same dream because it wasn’t me on the railroad tracks. It was my daughter.

In this dream I was following her from behind. Far behind. I wanted to hurry. Or at least call out to her. But for some reason I couldn’t.

She was on the track that ran over the river into the woods. The west bank. When she was little I used to bring her out here. We’d take pebbles and rocks home. Pretty ones to decorate the house with. Or she’d pick some leaves and make crayon rubbings of them. My father used to bring me here as a kid often. The last time we were here my daughter was at summer camp and the sky looked like it wanted to rain and he asked me about her college plans. 

She stopped coming with me when she was about fourteen but I still keep those rubbings with me.

In my dream I could see the riverbank through the spaces between the tracks. Pretty spot. Must’ve been my second year of college when we came down here one August. Me and this guy. He took me one night to see the fireflies and while we were sitting on the rusted track he caught one for me so I could hold it before it flew away. Just sat there on my fingertips blinking on and off. They were everywhere that night. Fallen stars among leaf litter. Yellow eyes blinking. I shivered and he put his arm around me and said Cold? and even though I shook my head he pulled me closer and squeezed. So I rested my head on his shoulder and looked up at the outline of his jaw against the sky. He looked down at me and our faces were so close that I could smell the fruity aftertaste of vape and then the taste of peaches was in my mouth hot and damp and then we were on the tracks and then all I knew was soft peach flesh and yellow blinking eyes all around us.

When my father asked how it happened I said nothing. Must’ve thought he could get more out of me than my mother could. But no one got anything out of me. No one ever gets anything out of me if I don’t want them to. All the goddamn time  he was pestering me what are you gonna do what are you gonna do what are you gonna do but I was barely listening because by then I was shut up for good.

In my dream I followed the tracks out over the water. The smell of brine and shit and suntan lotion wafted up. Water brown and stinky as ever. Sailboats dotted it like flecks of white paint on brown canvas. That’s how I knew that guy actually. I used to go sailing all the time before I dropped out. Out with friends in the sun. Tanned arms short white skirts fishing rods. I never told my parents about the drinking. Always drinking back then. Bottles littered the deck and we’d throw them overboard. We threw a lot of things overboard. One time when he was on the boat I drank too much and vomited. Didn’t get to the railing in time and it got all over his feet and my feet but he still held my hair back for me. I can see it in this dream: ribbons of orange trailing after one of the sailboats. Probably his boat. Maybe he’s holding back another woman’s hair now.

In the dream my daughter was already in the forest but I was still over the east bank. Litter flashing in the sand: beer bottles soda cans cigarette packs. High school. Sneaking out at lunch to drink smoke do whatever. The intimacy of a leather steering wheel spinning through my hands at midday. The first burn of Bud Lite on my throat. One time on the sand where the grass springs up nice and tall a classmate put his hand up my skirt and I let him. I never told my father about that. This was around the time he had the dream of me crossing the railroad tracks and him following behind and in the morning he said something like Hey you doing okay? But there’s no way he knew about any of that. I knew when my daughter started smoking but I never said anything. She doesn’t know I know. But I know.

In my dream I spotted my initials on a wood railroad tie where the tracks met the east bank. I’d carved them when I was thirteen or fourteen. The letters used to be a fresh sandy color. In my dream they were as dull and faded as the river. Hungry flowers crawled over the rusted steel. Pickerelweed milkweed marigold. They smelled like my mother’s laundry detergent. As a toddler I would bury myself in the laundry and listen to my mother call my name Where are you where are you answer me and when she was near crying I would pop out and run to hug her. When my daughter was born I always folded the laundry immediately so she couldn’t do the same.

In my dream I was in the woods now. My daughter far ahead. Wait. I wanted to call to her. Wait for me. The fireflies were starting to come out and for some reason I could sense that something terribly wrong was going to happen. Dread grinding against my stomach. Wait for me.

I watched her crouch on the tracks. I wanted to move forward but all I could do was watch from behind which meant I couldn’t see what she was crouching over.

What are you doing?

Wait for me.

Come back!

She stood and straightened. Then: I’m fine Mom. But don’t look. It’s a secret.

Rina Olsen, a rising high school senior from Guam, is the author of Third Moon Passing (Atmosphere Press, June 2023) and The Water Stricken (Atmosphere Press, October 2024). An alumna of the 2024 YoungArts program, Iowa Young Writers’ Studio, and Adroit Journal Summer Mentorship Program, her work has been recognized by the John Locke Institute, Sejong Cultural Society, Carl Sandburg Home, and Guam History Day. Her fiction pieces “Bataya Slums, 1971” in Milk Candy Review and “Skeletons in the Closet” in Okay Donkey were long listed for Wigleaf‘s Top 50 Very Short Fictions in 2024. When she isn’t writing, Rina can be found playing the piano, looking up obscure history, or with her nose in a good book. Find out more at her website: https://rinaolsen.com.