You wake up to the cawcawcaw of the crows outside. They still hold a grudge against you for that one month Lynx made you foster a cattle dog mix. He barked at the crows every time he took a shit, and they haven’t forgotten. Crows can remember individual faces. They pass this information down from generation to generation. In many ways, they are smarter than your own family that can’t even manage to call once a year. Somethingsomethingsomething about the June bug coffins lining your windowsill. They freak people out. Even over the phone. They can hear the June bug ghosts wailing.
Cawcawcaw, only louder this time. You muse over who you might be to the crows. “That imbecile with the evil dog” or perhaps, “That super cool guy we simply cannot pardon for his wrongdoings. No matter how rad his Saved By the Bell crewneck is. Yes, we mean it. No matter how rad.” You roll over and grab the notebook you keep on your nightstand for moments such as this and add the latter to your long list of crow speculations. You consider how the president may wind up pardoning himself before the crows pardon you.
You tried to make the crows forget. You started wearing a beanie whenever you left the house. They went crazier than ever as if to alert one another. A few even dive-bombed you and stole your beanie. It was a nice beanie too. Lynx had crocheted it for you. A pretty baby blue hue that calmed your tap-dancing neurons. After the crows stole your beanie, you started painting your face. First like a June bug, because why not? They didn’t like that. They took large dumps on your Welcome mat. Swirled like soft serve and impossible to fully clean up.
When you painted your face like the pink Power Ranger they cooed and fluttered their feathers. Yeah, they liked that shit. You thought you’d finally won and then what you think happened is one of the elders slammed down his gavel and said, “No, he is guilty regardless of his beauty.” Then one of the crows jimmied your bedroom window and broke in and stole the photo of Lynx that you kept on your nightstand.
Your last reminder of her.
The crows remember when you finally broke it off with Lynx. They remember it as well as you do.
You recall quite clearly covering her body in stamps. She just lied there and let you. Like it was the most natural thing in the world. Like love is only love if you drive that person away. The crows gathered at the windows and pecked the glass with their black beaks.
It was a Sunday so you set her on the counter by the door where you wouldn’t forget her, but on Monday it was raining and on Tuesday you were late for work. On Wednesday your horoscope warned against taking chances and on Thursday you got into a fight with the sky. On Friday you worked from home and drank whiskey far too early. On Saturday you scribbled the return address on her chest, in hopes that she’d be sent back to you, but it’s been more than three years now and the mailman got a new job so he wouldn’t have to continue disappointing you.
You climb out of bed and put your robe on, wrapping it tightly around you. You examine the June bugs, take roll call. Sylvester, Frangelica, Bryant, Nuchi, Manuel, Zane, Eva, Bo, Jian, Arnold. Everyone is present and accounted for, their exoskeletons perfectly intact. You are envious of their armor.
You take a deep breath, pull your hood over your head, then walk out the front door. The elder crow alerts the others of your presence. Cawcawcaw cawcawcaw, a new urgency in their calls. You shadow-box the air, daring the crows to challenge you. One by one, they begin to surround you. Left, right, uppercut, right, right, you dance around your yard like a more agile, less sad version of yourself.
The crows fly in circles around you, so fast that you can’t see the individual birds. Just the dark blur of their hostility, like a tornado.
Over the years you grow old and fragile inside that tornado. Your punches turn to gentle waves, your feet become cement blocks. The crows lose their voices and the only thing you can hear is Lynx telling you that the stamps were expired. That she’s here and everywhere.
Marisa Crane is a queer, nonbinary writer and editor. Their work has appeared or is forthcoming in Pigeon Pages, Pidgeonholes, and Drunk Monkeys, among others. They currently live in San Diego with their wife. You can read more of Marisa’s work at marisacrane.org and their twitter handle is @mcrane_12.